A Quote by Howard Shore

I love working with an orchestra, but there are many ways to make music. — © Howard Shore
I love working with an orchestra, but there are many ways to make music.
There's nothing worse than working with an orchestra who looks down on working with a conductor who doesn't want to conduct for you. You need to be with an orchestra that can follow you and respect you.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?
There are so many parts of music that it's actually a pleasure for me to work with an orchestra, or a jazz band, or a choir, and use every element that the musical tool box can offer. The world of music I love so much, and I can change the costume depending on the part, and I'm actually in the film.
Things always change and evolve and now there are a lot of other ways for people to hear music that weren't as available in the past. Yes there are way more venue closures, but at the same time there are so many newer ways via social media and other digital platforms for emerging artists to spread their music and make an impact.
Whenever I get asked to write orchestra music or music that is for a lot of players, I try to make it a little sad.
I sang 'O Holy Night' with the Vatican orchestra, but also a Blake - a lullaby that William Blake wrote for the Christ child, and I set it to music, and the Vatican orchestra played the music.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
I would say that for me while growing up, music was my best friend in many ways, and I hope my music can do that for others, to make them feel less alone.
One of my favorite things is producing other artists because, in many ways, it's a lot more freeing than working on your own music.
In western classical music with an orchestra, you focus the orchestra on melodies and harmony. In African music, the biggest focus is on rhythms and counter-rhythms - the complexity of rhythms.
That's the whole part about being a deejay: You've got to make sure you are prepared. At the end of the day, you do have your genre - house music, dance music - but there are many different ways of playing that.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
I thought there couldn't be a better backdrop for some kind of powerful music than a big orchestra. My wish to hear how a guitar would sound in front of an orchestra has always been there.
I have often said to the orchestra, especially to the younger players, 'Do your best, and love what you are doing, because you are allowed to do this thing.' By this I mean, they can do what millions of people cannot do. Many people cannot think of playing music or listening to it until six o'clock in the evening. To be involved professionally in a thing as creative as this is a great privilege and we have a duty to make it in such a way that we can help bring pleasure and a sense of fulfillment to those who are not so fortunate.
I never thought that I would write orchestra music, but in fact I did write a group of orchestra pieces.
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