A Quote by Howard Shore
It is very gratifying to see the music from 'The Lord of the Rings' trilogy find a new life on the concert stage as it is performed by different orchestras and choruses throughout the world.
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I love music but I never went to a concert in my life. The first time I went to a concert I performed on a stage with Drake.
My first score for 'The Lord of the Rings' trilogy, 'The Fellowship of the Ring,' was the beginning of my journey into the world of Tolkien, and I will always hold a special fondness for the music and the experience.
In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.
Lord of the Rings is a good thing for us because it opened the door for the genre in general. Le Guin's stories are very different from Lord of the Rings.
Lord of the Rings is a good thing for us because it opened the door for the genre in general. Ursula Le Guin's stories are very different from Lord of the Rings.
I think 'The Lord of the Rings' trilogy has a very satisfying ending, and there's not really that deep of a mythological construct.
As soon as I got off the plane in L.A., I heard they'd cast the 'Lord of the Rings' trilogy and that it was all being shot in New Zealand! That was pretty ironic.
I love those trilogy movies, like 'Lord of the Rings.'
When Peter Jackson did The Lord of the Rings trilogy with Fellowship of the Ring, not everyone had read Tolkien, and yet somehow with that scope and the spectacle of that fantasy, people were willing to give it a shot. And when they watched the first one, the characters drew them in and they started understanding the story. And then, all of a sudden, they were The Lord of the Rings fans, even if they never read Tolkien.
We call my son's role in the "Lord of the Rings" trilogy Sean's little independent movie.
Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.
In horror movies, you can write music that if it was performed on the concert stage would have the audience running out of the room with their fingers in their ears. But in a movie, all of a sudden it becomes incredibly accessible and appreciated.
I'm a fan of 20th century orchestral music, the experimental avant-garde composers of the '50s, '60s, and '70s. In horror movies you can write music that if it was performed on the concert stage would have the audience running out of the room with their fingers in their ears. But in a movie all of a sudden it becomes incredibly accessible and appreciated.
Music and dance have also always been a communal activity, something that everyone participated in. The thought of a musical concert in which a class of professionals performed for a quiet audience was virtually unknown throughout our species' history.
That's the thing: pop music has sometimes had a bad reputation for being about a lot of other stuff than the music. And I am just a lover of pop music. I love pop. I love big choruses. Dramatic choruses - they're the best thing in the world. And I do this because I love making music and performing the songs.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
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