A Quote by Howard Staunton

After black's reply to 1.e4 with 1..e5, leaves him always trying to get into the game — © Howard Staunton
After black's reply to 1.e4 with 1..e5, leaves him always trying to get into the game
After white's reply to 1.e4 e5 with 2.f4 the game is in its last throes
What the devil possessed me to reply 1. ... e5?? I compltely forgot that Spassky, like Spielmann in the past, very much likes to play the King's Gambit.
Giannis is truly a student of the game. He listens to the coaches, they show him film, and he's always in the gym working on his game and trying to find ways to get better.
Jose Mourinho and I get along well. I've lots of respect for him. He gives me a lot of confidence. After a bad game, he dares to say, 'We have played with 10 today,' but that's it. At moments like that, he leaves me alone.
I have to laugh when I receive newsletters from major personalities and when you hit reply, you get a 'do-not-reply' address. It's ridiculous! Don't you want your customers to reply to you?
So Kratos is always angry, and he spent a considerable amount of time after 'God of War' trying to be away from people and trying to figure out how to get control of that. So it is this kind of internal struggle for him at all times.
I'm always trying to challenge everyone to raise the game on the artistic level. We are supposed to be the best. Make sure we don't get complacent or comfortable, and always trying to push the limit on trying to write great songs. At the end of the day it's why we do what we do.
By what right does White, in an absolutely even position, such as after move one, when both sides have advanced 1. e4, sacrifice a pawn, whose recapture is quite uncertain, and open up his kingside to attack? And then follow up this policy by leaving the check of the black queen open? None whatever!
I always say this: If you a dude texts you after 2 a.m. and you reply, then you will never get called at 8 p.m. He won't take you serious.
I always go into a game trying to get an assist and trying to get a goal, I want to influence games.
The problem with black cinema in its current form is on the one hand it is the only game in town; it's a very structured set-up and it's not conducive to get at the kinds of things I'm trying to portray using the cinematic apparatus to show black sociality and how it functions.
I'm going to have to call up Spike Lee. I did a cameo for him in 'Malcolm X,' and I'm trying to get him to do my life story and the history of the Black Panther Party.
I followed Taylor everywhere. I was always trying to catch up after him or go with him.
When you bowl at him you are not just trying to get him out, you are trying to impress him. "I want him to walk off thinking 'that Flintoff, he's all right isn't he?" I feel privileged to have played against him.
I'm an African woman, I suppose these thoughts torture me more than they do black American people, because it's like watching my own children trapped in a car that's sinking to the bottom of a lake and being impotent to save them'the black Americans have their own holocaust going on. You see the black man erasing black children from the landscape, you see black women desperately trying to get the black man's attention by wearing blonde hair and fake blue eyes, 500 years after he sold her and their children across the ocean.
And now, as I'm lying alone in my own bed, I keep thinking about writhing against him last night, naked and vulnerable. Even after we'd both risen and fallen, peaked and plummeted, even after Marcus was physically shrinking from inside me, I couldn't stop clutching, crying, trying. Trying to pull him deeper, deeper, deeper within. Trying to make him more a part of me than I am myself.
This site uses cookies to ensure you get the best experience. More info...
Got it!