A Quote by Howie Mandel
After I impulsively revealed that I have OCD on a talk show, I was devastated. I often do things without thinking. That's my ADD/ADHD talking. Out in public, after I did the show, people came to me and said, 'Me, too.' They were the most comforting words I've ever heard.
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I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
The most tragic moment of my life was the first show I ever designed for. I had been asked to make shoes for Ossie Clark's show in the early '70s. I was so inexperienced that I didn't put the steel in the heels of the shoes, which is required to support the shoe and the wearer. So the girls came out walking very strangely in these rubber, bendy high-heeled shoes I had made. I thought 'Oh dear god! This is the end of me.' But after the show, even David Hockney and Cecil Beaton said to me 'It was so interesting that the girls were moving in such a different way.'
Most of them were murderers. But when I went there to talk, they were the nicest people. I did a reading. I said, "Thank you," and then they said to me, "Could you talk some more?" And I said, "Why?" and they answered, "Most of us are in solitary confinement, so the moment you finish talking, they take us back to our cells. We like hanging out here together."
A lot of musicians have said things to me like, "Music saved my life". And "I'm standing on the shoulders of dozens of people that you've never heard of that were like angels for me that came out of the woodwork." And that's really the case for me. I had so many people that did those kinds of things for me.
Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we're in, or if I'm super beat, listen to a podcast and pass out.
For years, people have been trying to talk to me about doing a show, and I wouldn't do one because I'm a serious business guy. I'm not going to do a stupid show. So, the opportunity came up with CNBC, and we started talking. It became a real business show. It's educational, people watch it, and it's great for small business.
It's pretty interesting how it all started out. After The Voice, I got introduced to some of my publishing people. We were out in Los Angeles and they said to give them a call when the show was all said and done and they'd get me into the writing world.
It's really helped a ton in the sense that we get to reach people who don't normally know our music. At least once a night at a show someone will come up to the merch table after the show and say they've never heard of me but they saw me on Troubadour, TX, and it reminds me that I'm not Elvis and anything I can do to get my name out there is beneficial in every way.
You didn't have to come after me." "Yes, I did," he said. "You're far too inexperienced to protect yourself in a hostile situation without me." "That's sweet. Maybe I'll forgive you." "Forgive me? Fro what?" "Fro telling me to shut up." His eyes narrowed. "I did not... Well, I did, But you were-" "Never mind.
Directly after the show people might have responded better to it, but who really knows. It did what it did and while it seems like a failure to most but it was a success for me and has given me so many opportunities.
Most people I know stopped talking to me after I came out.
When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the ?rst lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.
It kills me to see people think that, show business is sex, drugs and rock and roll. And I have what you call a meet and greet. I do it before the show. But when I was doing it after the show especially, there would be people who would come back and said, OK, Smoke, where's the party?
I did a production of 'Journey's End,' an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, 'You know, you could really do this if you wanted to.'
I never wanted to be the person who said, "I woulda, coulda, shoulda." Life is way too short, and you may not last that long. I dropped out of Yale after two years to pursue one of the most uncertain careers - modeling. That seemed like a crazy decision, especially coming from where I came from and given what Yale is. Most people I knew told me so. But I was following what my heart was telling me I needed to do. I took the risk. It could easily have not worked out, but it did. Phew!
Most people know me for U.S. Open, right? And during U.S. Open, I didn't show any emotions most of the time. But then after that, I did show - well, in my opinion, it was a lot of emotions. I got upset, and then I threw my racket or stuff like that.
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