A Quote by Hozier

I never wrote music for the mainstream. — © Hozier
I never wrote music for the mainstream.

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When I started college, I wrote a song 'Pee Jaun,' with a friend. I never intended to make mainstream music, but that song did really well and I got some recognition.
I'm not mainstream at all. I can make mainstream music and I make music for mainstream artists, but me, myself, I'm not mainstream.
I mean, maybe I'm alternative in that my stuff's not mainstream, doesn't want to be mainstream, could never be mainstream.
Within Klaxons, I never wrote the lyrics. I always wrote the melody and music with the other guys.
Mendelssohn never wrote any Water Music. However, he wrote the Scotch Symphony, which is even better, or at least stronger.
Mainstream's never appealed to me, really. I mean, I've become popular over the years in certain areas. But mainstream, you know, I would rather the mainstream come to me.
I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.
Every now and again, the alternative culture is cherished by the mainstream for what it is, rather than how it should be, like the mainstream popular music.
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
The music I make is very underground-sounding, it doesn't sound like it goes into the charts. It doesn't sound like it's trying to fit into today's style. So I think I have already a vibrating tool to an art form that isn't the mainstream. I'm very outside of the mainstream in my taste of music.
It's great to see Latino music coming to the mainstream, but at the same time, there are also a lot more styles to explore: African music, Indian music, Chinese music.
I agree with Ru that it'll never be mainstream, because mainstream means everybody knows it, everybody loves it, everybody accepts it. That's never gonna happen with drag, but it's definitely become more mainstreamed for people that never knew anything about it, being opened up to it as a form of art.
In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies. But I never saw it that way. I always thought music was open to all things.
Never change for the mainstream—stay in your lane, and if you’re talented and resilient enough the mainstream will come to you.
Generally, we tend to believe that royalty is only for mainstream Hindi commercial cinema music and maybe some popular ghazal singer or pop singer but we never think that classical music is played at so many places.
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