A Quote by Hozier
I figured the songs wouldn't make much of a splash. I didn't think 'Take Me To Church' would play on the radio or get in the charts, and I didn't think about dealing with a global audience.
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The success of 'Take Me To Church,' I never imagined it. I never imagined that it would work on radio, that it would find its way onto the charts, even at home and certainly not in America.
It's hard to think back. I didn't even know I was going to do it, make actual records. But I was always making up songs, once I figured out that you could do it. I think it's pretty much the same, but there's less urge to get it moving out there. There was a time when it seemed like it was really super important to the audience and now it's just medium-important for people to like us. But that's okay.
I've turned down songs that would be much easier to play on the radio that I don't think should be on the album. Maybe I've shot myself in the foot.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
As much as I'd like to think and as much as people mistakenly think my audience is blue collar people in the heart of America, my audience is basically, in the States, an NPR audience. I play college towns in the summer because that's who comes to see me.
If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.
I don't like to play the same set every night. I think the band would prefer the same 12 songs, to be honest, but if I get bored, then I think the audience gets bored too.
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
I'm Indian-American and I think that when I think of myself as being culturally Indian, it had so much to do with when I lived with my parents and was a kid because they would take me to the Diwali festivals. They would take me to the temple, and they would teach me about all the different holidays.
It sounds like I'm joking when I say it, but when I wrote 'Take Me To Church' and a lot of these things, I didn't think they would be hits. I thought I was writing for a potentially smaller audience.
If you're a playwright, unless you're really lacking in get-up-and-go, you can always get your play up somewhere. You can't necessarily make a living doing it, but theater is about meeting an audience. Plays are not easier to write necessarily, they take less time to write. If you get them up, it's a much more rough-and-tumble kind of existence. I think it's, from my perspective, easier than novel writing.
You're playing the songs for the audience and they still think they're good songs. So I tend to get excited by that, audience reaction.
It seems to be really trendy to get excited about a random-ass radio song. Which, I like radio songs, don't get me wrong. But I'm just confused at which ones seem to be heralded as some sort of genius-like concoction. It doesn't totally make sense to me.
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
I don't think about the gender of my readers or about reader expectations. I'm frankly scared to. I figured out a long time ago that if I tried to guess the audience, it would be like me trying to guess which stocks to buy.
I think there are some songs that stand the test of time better than others for sure. I think some songs go out of favour; I'll get sick of a song for a while, and I won't play it; then it'll make a comeback.
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