A Quote by Hozier

I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.
I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties.
I spent quite a bit of time in choirs, growing up, and in the world-touring music group Anuna.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.
I grew up teaching parts to choirs, and I love a whole group of voices singing as one.
I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
Everybody's looking for some kind of authenticity in music. Or some kind of truism, you know, "This is true!" And the thing about gospel music is, these people are singing about their faith. So it always comes across with, as authentic, you know? Gospel choirs put across this amazing sound but they're singing from the heart because they truly believe it. And I kind of have that faith, but I just have that faith in music.
I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
I grew up in the church, singing in choirs, and I went to a performing arts school, and I had a gospel group, so music has always been in my blood.
I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn't very different. Of course, nothing looks quite like Notre Dame de Paris.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashipn the theme of Iluvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Iluvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.
My first experience with the arts must have been the sound of my mother singing to me when I was in the womb. The sound of my father singing to me when he held me. The sound of The Temptations records that they played.
My mother was a music teacher and my grandfather was a professor of music, and there was a lot of singing in the family. It wasn't like trained singing or anything like that, but it was singing.
Nobody thought I could do anything with a singing career... except my singing teachers, who were accustomed to hearing voices that could be transformed into something.
I love singing gospel. It's fulfilling but in a different way than singing pop music.
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