A Quote by Hozier
It sounds like I'm joking when I say it, but when I wrote 'Take Me To Church' and a lot of these things, I didn't think they would be hits. I thought I was writing for a potentially smaller audience.
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I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
You know, you have a lot of people - I've met a lot of people in the past, I've gone to private schools, you know, encountered different people who think that it's OK to make comments, insensitive comments about your race because they're joking. And think that if they're joking and they say it, you know, good-naturedly, that things will fly.
I like working solo and it was a lot of fun joking around with the audience, saying things. I'm only just learning how to do certain things.
All of a sudden, when you're exposed to a large audience, they think you just started writing that day, but I started years before. I look back at things I wrote then and I'm so embarrassed - the writing seems so blocky and choppy to me and I wouldn't have wanted success any sooner because the writing was even worse.
People tell me ridiculous things and then say they're joking. Like, at the Dubai immigration, the officer told me that I've been banned from Dubai. I almost started crying which is when he said that he was joking!
So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.
I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
I think all of us would agree that a lot of Christian radio sounds the same. A lot of music that comes out of Nashville kind of has a little bit of the same vibe. Because I don't live in Nashville, I surround myself with a culture and an influence that's outside that bubble. So when the church hears it, it's refreshing, and when the world hears it, it sounds like something they want to listen to.
It's tough to say what separates me from everyone else. I guess it's one of the things that the audience feels as soon as the spotlight hits me. All I can say is that I'm being as true to myself the best way I can.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
I certainly think there are things that impressed me as a child about the church. The smells and the sounds and the pagaentry of it remained with me. The aesthetic I really love. I think a lot of my sense of melody comes from singing those hymns and doing the renaissance music and stuff.
I love writing with really experienced producers and co-writers who open my mind to things I never would have thought otherwise. We may think the same way about something, but they might say it in a way that I never would have thought to say it.
I figured the songs wouldn't make much of a splash. I didn't think 'Take Me To Church' would play on the radio or get in the charts, and I didn't think about dealing with a global audience.
I must say, it was a lot easier writing novels than I thought it would be. I think it's because I'm a novelist at heart, and it took me a while to figure that out.
I think of my success as a kind of fluke. How else could I possibly think of it? And although it's a banal thing to say, I wrote my book because I was writing my book. At first I didn't know I was writing it, and one of the amazing things that happened as I was putting sentences down on paper is that some of the things that are most sacred and important to me rose to the surface of the prose.
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