A Quote by Hozier

The first time I heard Tom Waits, it was like everything just flipped. It was just this fascination with him. My cousin showed me 'Small Change,' and I just couldn't get over that this was a white guy singing.
Tom Petty sent me this amazing 12-string Rickenbacker, and 'Not for You' was the first time I used it. It was like a Christmas present. One day, it just showed up at my door. I called him up and thanked him.
One day I was in the studio with my cousin. My dad was on tour at the time, so just for fun I recorded some stuff with my cousin. We were just playing around. After my dad got back, one day he played what we recorded. He heard my part and was like, "Who is that?" My cousin was like, "Uh, that's your son!" So he was like, "That's hot. You wanna make a record?"
The first time I got a chance to meet Michael was onstage at Madison Square Garden. There were tons of people on the stage, and I just remember losing my mind. Like, Oh my God, that's Michael Jackson right there. I was just over his right shoulder. And then when I finally got a chance to get on the stage with him, I was just shut down. He had the type of magic that you just bowed to. I just said, "I love you, and I know you've heard it a million and one times from fans all over the world, but you've meant so much to me as an entertainer, and I love you, and I've admired you all these years.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'
When I first heard Bob Dylan, I'll be honest, I didn't like him. But I was shallow of mind and didn't understand the poetry. I just judged him on his singing and his guitar playing.
I'm a guy who is just trying to be successful in whatever I do, and I give everything to my teammates, give everything to the coaching staff. When you fall short, it hurts and it eats at you, and it hurts me to know that I wish I could have done better and done more and just put a little bit more effort or whatever the case may be to help us get over the hump. But it just wasn't our time.
I think people somehow get a skewed view of Tom Brady. That he's just a clean-cut guy that does everything right and never says a bad word to anyone. We know him to be otherwise.
The first thing that came to mind when I met Tom Brady was intimidation. I'm showing up in 2005 with a guy who just came off his third Super Bowl win. So, it's a little intimidating walking in the room with Tom Brady for the first time.
I actually had a small kangaroo - and I'm not kidding this time. I was holding a small kangaroo, baby kangaroo ... it was very nice to me this time. Do you know what it did afterward? I gave it some milk, and it just spit it all over me. I was like, Is this a thank-you for just being nice and petting the kangaroo? I got milk all over myself. I guess I deserved that from the story last year.
I love Tom Waits because he's an artist who makes me not afraid to get old, and that's rare. I think it's a rare kind of thing to have that level of wisdom. And his lyrics are just astounding; everything in life is inside his lyrics.
Sometimes a guy is going to get you here and there, you compete. He is getting paid just like you're getting paid, and he is a competitor just like you are. But if a guy can just stop me a whole game by himself, and I can't do nothing about it or I'm fatiguing or I'm not strong throughout the whole game, then it's time for me to hang them up.
Sometimes if a song hits me really good the first time, I get sick of it. And by the 10th time I've heard it, it's just candy, and I don't like it anymore.
No, but ..." But I had felt something from another person. Someone who spent time with Alec. The last card in my head flipped over. "I know who it is. It's him. That guy." "Of course," said Carter dryly. "I knew it was that guy. It's always that guy.
When we had ideas that earned there way in [Austin Powers], it began to get okay. The hook for me was 'Mini-Me.' We only auditioned one guy - Verne Troyer - and at the time I said, 'we have to get this guy, get him life insurance, whatever he needs' because there was no other way or actor to do it. It was amazing to me just to talk to him...he was Mini-Me.
I used to listen to music from the frosting down. As a word nerd, lyrics are really important to me, and then the melody. Playing in the Rock*A*Teens was the first time I ever heard music from the bottom up. I was hearing songs I'd heard a million times on oldies radio, and I'd be like, "Wow, listen to what the bass is doing!" When I was first singing in bands, I'd just get out there with my machete, wildly whacking away at the foliage. But you learn how to listen. When I feel I'm doing it right, it's 90% listening and 10% output. It's not "look what I can do!"
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