A Quote by Hozier

If I could, I'd sing old French songs or American folk music, but I sure as hell can't do it as well as Mississippi John Hurt - no way in hell am I getting near that! — © Hozier
If I could, I'd sing old French songs or American folk music, but I sure as hell can't do it as well as Mississippi John Hurt - no way in hell am I getting near that!
What you and I need to do is learn to forget our differences. When we come together, we don't come together as Baptists or Methodists. You don't catch hell 'cause you're a Baptist, and you don't catch hell 'cause you're a Methodist... You don't catch hell because you're a Democrat or a Republican. You don't catch hell because you're a Mason or an Elk. And you sure don't catch hell 'cause you're an American; 'cause if you was an American, you wouldn't catch no hell. You catch hell 'cause you're a Black man. You catch hell, all of us catch hell, for the same reason.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
Singing what's in your heart? Naming the things you love and loathe? You can get hurt that way. Hell, you will get hurt that way. But you'll get hurt trying to hide away in all that silence and leave your life unsung. There's no future without tears. Are you really setting your hopes on not getting hurt at all? You think that's an option? You clearly aren't listening to enough Morrissey songs.
At the risk of quoting Mephistopheles I repeat: Welcome to hell. A hell erected and maintained by human-governments, and blessed by black robed judges. A hell that allows you to see your loved ones, but not to touch them. A hell situated in America's boondocks, hundreds of miles away from most families. A white, rural hell, where most of the captives are black and urban. It is an American way of death.
I wish I could sing. I love singers, but I am way too shy. Scares the hell out of me.
I choose to ignore hell in my life. When I was a little kid I asked my Dad "Am I going to go to hell?" because I'd heard about hell. And he said, "Nothing you're gonna do will get you into hell." And so I got to ignore it.
'Oh! Darling' was a great one of Paul's that he didn't sing too well. I always thought I could have done it better-it was more my style than his. He wrote it, so what the hell, he's going to sing it.
I cannot sing the old songs Though well I know the tune, Familiar as a cradle-song With sleep-compelling croon; Yet though I'm filled with music, As choirs of summer birds, I cannot sing the old songs-- I do not know the words.
Let me put it this way: I can sing a hell of an 'Old Man River,' way down in the bass.
People sing each other's songs and they cultivate standards. That's the reason why we have folk music and folk stories. History is told through song.
My models for graceful aging are guys like John Lee Hooker and Mississippi John Hurt, who never stopped working till they dropped, as I fully expect to be doing, and just getting better as musicians and as human beings.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
Which way I fly is Hell; myself am Hell.
My 12 years in Los Angeles were hell! But I was sent to study hell and to learn as much from it as I could because there is no other place like hell for a full and complete education.
Folk music is not so much a body of art as it is a process, an attitude, and a way of life; its distinguishing features lie not within the songs themselves, but in the relations of those songs to a folk culture.
We're all going to hell for the songs we sing.
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