A Quote by Hubert de Givenchy
In the early '50s, it was still the time of Christian Dior's New Look. Every dress was big and important, and I thought I must do something completely different. Women needed something for daytime that was wearable.
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How women dressed every single day back in those days is seen as kind of incredible - it must have taken so much time. But there's something so romantic about that because it's so different to how we dress. That aesthetic is so appealing, it's not what we're used to nowadays.
I think because my parents died in their early 50s, mid 50s, I always thought I would die young. And that's been both a useful thing and I suspect something that's haunted me a little bit.
My childhood is completely... when I look back, it was '50s in New York, upper-middle class, it was completely idyllic and golden and wonderful - sweet in every way.
You can wear a beautiful black dress that you've maybe had for years, but if you wear a fun shoe, you can completely change it. Wear something different, something sexy, something strappy, or something with pom poms.
For me, trying to articulate the world to help people see it in a way they haven't seen it before is hugely important. Sometimes, you have to take something that is completely inexplicable and say, 'Look, here is the beating heart of something you must understand.'
Humans who see something different than them want to hate it and tear it down. Britain had a government policy that allowed prejudice to destroy someone's life, and today there is still homophobia at home and elsewhere, like Russia or Greece. It's still a relevant discussion. While women have it better than the 1940s or '50s, sexism is still prevalent.
I think that its an artist's responsibility to have a point of view. Society takes its cue from popular art. People need something to look to, something to provoke them into questioning whether they completely hate something or completely love something.
I wear something different every week because I haven't found that one look that I really like. But I also like the idea of wearing something different every week because I think that keeps it fresh and new.
Every time I must find something to do that will look like something a little beyond my capabilities.
I'm just not interested in daytime television, which is something you should remember the next time somebody offers you a daytime talk show.
That the religious right completely took over the word Christian is a given. At one time, phrases such as Christian charity and Christian tolerance were used to denote kindness and compassion. To perform a "Christian" act meant an act of giving, of acceptance, of toleration. Now, Christian is invariably linked to right-wing conservative political thought -- Christian nation, Christian morality, Christian values, Christian family.
Every day that you're on set is a new day to learn something. Every time you're there, there's something new that you'll notice or something that you'll miss, and you think of something new that you can do.
I wanted to start something in New York that focused on making products locally, and because I'd just had my second child didn't want to be traveling halfway across the world anymore. The idea was to have something wearable that fit with my reality, which was being a mom with two young kids and not always wanting to wear jeans. I still wanted to wear interesting clothes, and the options out there I found were either very expensive or very cheap. There was a big gap in the middle.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
I decided I needed something that I could feel as passionate about as acting, and something in which I could completely lose myself. I started painting, and I'm still doing it.
You look at anything, and you're like, 'Is this as good as 'Breaking Bad?'' It took a while for me to stop comparing every project that comes my way to that. That's one of the reasons I wanted to do 'Life in Pieces.' I just want something that's a 180. I just wanna do something completely different.
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