A Quote by Hubert Sumlin
When I’m reaching an audience, I feel it.
Related Quotes
It's weird how the Internet changes everything. The kind of narrow casting... instead of reaching for a broad audience, you are reaching for a more targeted audience.
I'm reaching a huge audience. I'm doing what artists like Beyonce are doing in terms of selling out stadiums. The difference is my audience speaks Spanish.
I feel that tennis is an art form that is capable of moving the players and the audience - at least a knowledgeable audience-in almost sensual ways. When I'm performing at my absolute best, I think that some of the euphoria I feel must be transmitted to the audience.
The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.
Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.
I feel as if my mission is to write, to see, to observe, and I feel lazy if I'm not reaching conclusions. I feel stupid. I feel as if I'm wasting my time.
So it's one of those things where we have to - our problem is pacing ourselves and still reaching a large enough number of our audience. Because we don't want to burn the audience. And we don't want to be excluding anybody.
It's not always about reaching the widest audience. It's about how you reach people, and in that sense, there's no difference between a little room in a back basement with ten people if you hit them hard enough, there's a nobility to reaching ten people. They are not irrelevant because they are less than 10,000.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and thats definitely reassuring.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.
I feel most free onstage. The audience, it's an abstraction. You don't really see anyone out there, but you feel the audience inside you.
I feel like, anytime I'm onstage, I tend to feel very connected with people in the audience or with the sort of heartbeat or tempo of the audience.
In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.
I wanted it to be as readable as possible. I had the ambition of reaching a broader audience.
If you're not doing something right, you can feel it on stage, and if it isn't going well, the audience will tell you. A teacher can teach you sense memory and this and that, but until you get in front of an audience, you don't really feel it.
You have women that are political commentators that are talking about the elections, talking about the news of the day, and really helping shape how information is disseminated. I feel we're reaching a whole new audience, which is great to be able to bring in and encourage other young women to do this.
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