A Quote by Huda Kattan

Kids used to tell me I was weird all the time. When I got older, I wanted to embrace my name and I put it on everything. And I also wanted to embrace being weird. — © Huda Kattan
Kids used to tell me I was weird all the time. When I got older, I wanted to embrace my name and I put it on everything. And I also wanted to embrace being weird.
When I was in first grade, everyone made fun of my name, of course. I think it's kind of a big name to hold up when you're nine years old. It seemed goofy. I used to tell people I wanted to change the world and they used to think, 'This kid's really weird'.
Just remember this- weird's good. Embrace the weird, dude. Enjoy it because it's never going away.
I think 'weird' is an interesting way to say 'unique.' It has a strange connotation, but weird is good. If you embrace your weirdness, you'll be on the way to becoming who you are.
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
I didn't have any set idea of what kind of filmmaker I wanted to be. I knew I wanted to tell stories that meant something to me, but I never said I was going to be the weird, avant-garde guy.
The problem with depicting what's weird and what isn't is that it's got to this point of near total oversaturation. There's definitely a threshold at which that language and experience becomes tedious. How can something be weird if everything is apparently weird?
We had established Harley Quinn as an accomplice to the Joker who was also crushing on him and found herself in the middle of this weird relationship being at the beck and call of his every whim. We wanted to stretch her and make her a stronger character, so to have her leave him and go off on her own was a story I wanted to tell for a while.
I wasn't interested in going to the school dances. I wasn't interested in going to the football games. What I wanted was to be in my room painting my walls and doing weird stuff. That's what I wanted and I got to do what I wanted, so that, to me, is my high school experience.
There is a right time for everything. There was a time when I wanted to settle down and have a family. I wanted to give time to my kids. I had worked for nearly 19 years when I got married.
That was the coolest thing about 'Baby Got Back.' The establishment didn't embrace the song, which is what kept me from being the next pop guy to fizzle out and get laughed at, get dissed on TV. That helped save me. The fact that MTV banned the record made the record, in a weird way.
I wanted to know the name of every stone and flower and insect and bird and beast. I wanted to know where it got its color, where it got its life - but there was no one to tell me.
I mean I always wanted to get tattoos, that's why I got them kind of fast. Because I already knew what I wanted and kind of where I wanted to put everything at, just had to wait for the right time.
I used to think that anyone doing anything weird was weird. I suddenly realized that anyone doing anything weird wasn't weird at all and it was the people saying they were weird that were weird.
It's refreshing and weird when your kids get older and they're able to tell you how they feel and what they want.
I love my life. I can't believe I work in New York and Paris. That I work for Louis Vuitton. That I work for Marc Jacobs. It seems really weird every time I say my full name - like, that's me, and every time I hear the receptionist say my name, it's still weird.
When I started making movies about weird people, I knew they were weird, I was infected with irony, and I wanted New York to notice.
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