A Quote by Hudson Mohawke

If you come up with the original idea on your laptop, anything else is an embellishment of that idea. It's nice to have the option to mix inside a big studio, but at the end of the day, it comes from an original spark, which often happens while sitting on the couch.
The real truth - like anything, you have an idea about something you might write and it changes. People reflect on it or you get other ideas and maybe your original idea is radically different than how it ends up being. It's not a theorem. You don't sit down and prove something. You start with an initial idea and it grows and grows. The math of the narrative changes. In some ways your original document and what the film ends up being are quite different.
People don't understand this: Ideas are important, but they're not essential. What's essential and important is the execution of the idea. Everyone has had the experience of seeing a movie and saying, "Hey! That was my idea!" Well, it doesn't mean anything that you had that idea. There's no such thing as an original concept. What's original is the way you re-use ancient concepts.
Similarities in the vampire genre are so rampant that there's really no such thing as an original idea - only an original take on an idea that's been done before.
Writing is much more satisfying on a certain level than acting ever was. Because you're not interpreting someone else's original idea, you can come up with your own.
An idea you have might not be original. But by creating a novel out of that idea you can make it original.
Just because you can make an album on a laptop computer in your back bedroom doesn't mean it's going to be any good. Like any 'product', it has to come from a good original idea. There are no shortcuts!
I often wonder why people remake movies. Is there just a lack of imagination out there that they can't come up with an original idea?
I have not come up with anything original. It needs a better brain than mine! I have done what I can do in taking Dawkins' idea and extending it.
I would love to do Doc again, no question. It's tough to come up with an idea that contains the excitement of the original three. So it would be a real challenge for the writers to come up with an original 'Back to the Future' story that has the same passion and intensity and excitement as the other three. But it could be done. You never know.
The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.
Where I come from, you had to be original. You had to come up with your own little moves. It doesn't matter if it's a big move. It had to be a dope original concept.
I have an 'office,' technically. I never use it. I work on a couch in my living room, with my laptop on my lap, looking out the windows. I love space and green things. And I'm an incredibly casual person. I slouch. I close the laptop and just lie on the couch for a while if I need to think. I put my feet up on a table while I type.
You can only really understand good if you have bad, so the idea of heaven or anything that happens for eternity, even if it's nice, I can't imagine it being nice forever. Even the idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
There's a lot [of coaches], and I think in this profession, none of us invented this game, we got it from someone else, and if there's an idea, there's probably never been an original idea in football.
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
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