A Quote by Hugh Dennis

I always tell myself every disaster is more material for my work and another anecdote to tell. — © Hugh Dennis
I always tell myself every disaster is more material for my work and another anecdote to tell.
I have a severe addiction to 'Angry Birds.' I always tell myself, 'One more game...' But then there's always another and another and another.
I don't tell the truth any more to those who can't make use of it. I tell it mostly to myself, because it always changes me.
I miss you terribly sometimes, but in general I go on living with all the energy I can muster. Just as you take care of the birds and the fields every morning, every morning I wind my own spring. I give it some 36 good twists by the time I've got up, brushed my teeth, shaved, eaten breakfast, changed my clothes, left the dorm, and arrived at the university. I tell myself, "OK, let's make this day another good one." I hadn't noticed before, but they tell me I talk to myself a lot these days. Probably mumbling to myself while I wind my spring.
Every gay person must come out. As difficult as it is, you must tell your immediate family. You must tell your relatives. You must tell your friends if indeed they are your friends. You must tell the people you work with. You must tell the people in the stores you shop in. Once they realize that we are indeed their children, that we are indeed everywhere, every myth, every lie, every innuendo will be destroyed once and all. And once you do, you will feel so much better
When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.
If you find something to tell, tell it to your truest, though that make little to tell; the truer you speak, the more you will know to tell.
With the artists, I don't teach, I coach. I can't tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That's all I wanted in a professor.
If you gauge how you're doing on whether somebody is responding vocally or not, you're up a creek. You can't do that; you kind of have to be inside of your work and play the scene. And tell the story every day. Tell the story. Tell the story. Regardless of how people are responding, I'm going to tell the story.
Some film actors want to sit back and look at every scene and all that crap. No, you're an actor - tell the story, and when it's told, there's another one to tell.
If you ask another competitor, they may tell you they felt very competitive towards me. But I can tell you that my biggest competition was myself. There's only so much you can do, right? There is only so much energy that one has. My focus was on how do I get the best out of myself.
Anecdote: The East End seemed to be in the grip of yet another economic crisis. ... By the winter of 1933, an army of the unemployed gathered daily outside the dock gates, desperate for a day or 2 paid work. .... There was no cushion, no disaster fund, no stashed savings, no government handouts no syrup that could sweeten the bitter pill of poverty.
For right now, I'd like to tell stories that I want to tell. I haven't wanted to use someone else's material yet, but I would with the show. It's become an integral enough part of me now, that I could definitely tell a story in this.
I always tell myself that we are born here not to work, but to enjoy life. We are here to make things better for one another, and not to work. If you are spending your whole life working, you will certainly regret it. No matter how successful you are in your career, you must always remember that we are here to live. If you keep yourself busy working, you will surely regret it.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
But that's typical of me. "This is going to end in tears," I tell myself every time I balance a cup of coffee on the upholstered arm of the chair I'm sitting on. And then, lo and behold, the cup topples and even before it lands, I tell myself, "Told me so!" Not to spell out, or spill out, one of the metaphors of my life, but I always do the stupid thing and then I do it again. I never learn.
Definitely for myself, I find myself gravitating towards dramatic work. In terms of sitcoms, you know, I always tell my agent I don't want to be seen.
This site uses cookies to ensure you get the best experience. More info...
Got it!