A Quote by Hugh Grant

The moral of filmmaking in Britain is that you will be screwed by the weather. — © Hugh Grant
The moral of filmmaking in Britain is that you will be screwed by the weather.
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
Even the weather page is in a state of moral decay. What?s wrong with red, white and blue, USA Today? This rainbow weather map is just another example of the homometerological agenda.
A Brexit Britain that will navigate its way in the world without a moral compass.
I hope weather coverage on a national level will help folks learn to respect the power of severe weather, and weather in general, so more lives are spared.
In India, 'cold weather' is merely a conventional phrase and has come into use through the necessity of having some way to distinguish between weather which will melt a brass door-knob and weather which will only make it mushy.
Do you think it will rain? Milo: But I thought you were the Weather Man? No, I'm the Whether man, for it is more important to know whether there will be weather, whether than what the weather will be.
If Britain becomes a member of the Community, it will be healthier for Britain, advantageous for Europe, and a gain for the whole world. I do not know of many economic or political problems in the world which will be easier to solve if Britain is outside rather than inside the Community.
Britain possesses no climate, only weather.
I came to London during what was called the second British invasion. The music was from Britain, the fashion was from Britain, everything was from Britain, so I knew I had to be in Britain.
And then I screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers.
For centuries in Britain, the small-talk standby has been the weather.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
Weather is real. It is absolutely real: when it rains, it rains – you get wet, there is no question about it. It is also true about weather that you can’t control it; you can’t say if I wish hard enough it won’t rain. It is equally true that if the weather is bad one day it will get better and what I had to learn was to treat my moods like the weather.
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.
I always tell new people in show business. I say, "Look, show business pays you a lot of money, because eventually you're gonna get screwed. And when you get screwed, you will have this pile of money off to the side already." And they go, "OK, OK. OK, you ready? You ready?" "I got screwed." "You got the pile of money?" "Yeah, I'm fine." I mean, that's the way it works.
Britain must govern Britain and nothing less will do.
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