A Quote by Hugh Grant
I think maybe in a way it gets worse because you come in with a real reputation and they've paid you lots of money and all that.
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You have to realize WWE's contract. They're not getting paid from advertising money. USA makes that money. WWE gets paid by USA, they get paid a lot of money, and the money increases every year. Ratings aren't the most important thing to them.
The Auditor-General has been complaining year in and year out that the municipalities have not paid auditing fees. It is not because they are reluctant but they don't have the money to pay the Auditor. So, you can't say that you are throwing money at somebody who doesn't have money. Lots of the things that the municipalities can't do are because resources are not there.
If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
Some of the wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them. I think part of the reason my work is attractive to people like that is because it doesn't cater to them.
It'd be nice to make lots of money but it's quite difficult, because every time I make lots of money I make a bigger piece that costs lots of money.
I get that people are worried about their mortgages and bills that have to be paid. They don't have time to worry about the Syrian refugees, and I get that. The thing about it is, when it gets worse and worse and worse and down the line, it's no longer restricted to these places.
Viewers have a way of remembering the celebrity while forgetting the product. I did not know this when I paid Eleanor Roosevelt $35,000 to make a commercial for margarine. She reported that her mail was equally divided. "One half was sad because I had damaged my reputation. The other half was happy because I had damaged my reputation." Not one of my proudest memories.
I feel like thanking Paul Dacre every time, because the reason they ask me is because they think I've come through the other end with a pretty good reputation. Loads of people get a bad press but have a good reputation. [David] Beckham - think what he went through. [Bill] Clinton, likewise. You just have to be true to yourself.
I conducted a bunch of interviews for Interview magazine. They actually paid me. I think I was probably 18 or 19. I was in college and I remember feeling, like, "Wow." I had a real job, and they paid me money, and it was exciting.
I get judged a lot. Maybe because of the way I talk, the way I look, I'm real quick to say a lot of stuff that maybe people don't understand because that's just me.
If someone paid me a million dollars to drink a glass of milk, I wouldn't do it; maybe that's because I don't need the money.
Every day it gets worse and worse and worse. We just want to get everyone to vote and be a part of the noise. I can't do phone banks because I have to save my voice for stage, so the least I can do is a song.
One who is mostly an observer thrives in good times but suffers in bad times because what he is observing is already vibrating, and as he observes it, he includes it in his vibrational countenance. As he includes it, the Universe accepts that as his point of attraction and gives him more of it. So the better it gets the better it gets. Or the worse it gets the worse it gets. While one who is a visionary thrives in all times.
Even though the industry is very big and there's lots of money, when it gets down to it, whether it's a photographer or a designer, as well as a stylist or makeup artist, you're really only working with maybe four or five people on a project. It's all quite small and intimate.
There's a pretty equitable distribution in the restaurant industry of how money gets paid, except for in the kitchen. The kitchen is the lowest-paid group of people.
I think the problem in the Republican Party is really not money. I think they've got lots of it. I think it is theory of the case - why are we here, what is our message, how to connect to the real world.
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