A Quote by Hugh Hefner

I was a very idealistic, very romantic kid in a very typically Midwestern Methodist repressed home. There was no show of affection of any kind, and I escaped to dreams and fantasies produced, by and large, by the music and the movies of the '30s.
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural
I think it's really hard to say now what makes a show kind of sink or swim, and what creates longevity. For instance, I think that Survivor is a very well produced show. It's very simple, it's very elemental, and I think it gets into big issues. I think American Idol has been an amazing show for many, many seasons.
In spite of the fact that everyone thinks I am very much a rottweiler - that i am very dark and everything - I have a side that is very romantic that i show to very few people.
People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of very banal movies.
I was very, very large as a kid and never athletic, and my home life was a little upside down and I never felt comfortable.
There is an access to... people can now afford very high quality technology, where you can have a very good reproduction of a large picture on a large screen at home. People go out less. There's all kinds of reasons. I don't know that it's going to stay that way but, I think also, we've got to start making better movies.
I was raised in the Methodist Church, which is a very Germanic, military kind of music they have there. I heard this other music on the radio: Pentecostal. That was right up my street.
There were very, very large sums of money that I made when I was very young - 15 million published works and a great many successful movies don't make nothin'.
I have a cat, so I know that when she digs her very sharp claws into my chest or stomach it's really a sign of affection, but I don't see any reason for programming languages to show affection with pain.
My folks were raised pure prohibitionist. They were very good people, with high moral standards - but very repressed. There was no hugging and kissing in my home.
The thing with Disney songs is they're very manipulative, very sentimental, but they do get you, you know - there's a kind of sadness to them and that kind of music doesn't really exist any more.
I'm a character actor. I have to find work in good movies where I can make something of my role. I'm a very lucky guy to be in that kind of position. It's like a kid who dreams of becoming a baseball player and then he gets to play for the Yankees.
I think - I think I've always been kind of - I used to think of myself as a piece of rubber when I was a kid because I was kind of very shy and very - very emotional about things, but I kind of would bounce back.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
It's very, very, very, very difficult, you know any parent with children with any kind of special needs is very difficult.
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