A Quote by Hugh Hefner
I looked back on the roaring Twenties, with its jazz, 'Great Gatsby' and the pre-Code films as a party I had somehow managed to miss.
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I looked back on the roaring Twenties - with its jazz, 'Great Gatsby,' and the pre-Code films - as a party I had somehow managed to miss. After World War Two, I expected something similar, a return to the period after the first war, but when the skirt lengths went down instead of up, I knew we were in big trouble.
I felt quite frankly having been raised during the depression and looking back at the roaring twenties, the jazz age, which was a very magic timer in my mind because it was something that I had missed.
The Roaring Twenties were the period of that Great American Prosperity which was built on shaky foundations.
I did some songs for Baz Luhrmann's The Great Gatsby. I had done a jazz album of Roxy songs, and they used bits of it in the film. It would be nice to score a movie one day.
When I was growing up in the mid-'50s, the Roaring Twenties were a huge part of the culture. There were a number of films and a bunch of television shows that dealt with the mythology of the underworld from that period.
Yeah, it was horrible! I mean really horrible. I felt incredibly awkward. It was not something I was [looking forward to]. I don't know, but it looked good. We somehow managed to make it look realistic. I was proud of myself that I managed to power through and be professional.
I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day ... It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I'd been filled up by her, by that day, did I understand how empty I really was.
I think back, when I saw The Great Gatsby, the film, my grandfather probably helped supply all the alcohol to all these Southampton parties, back then.
Under Bill Clinton we had a roaring economy that looked really good.
I'm like Jay Gatsby. I like to throw the party and then stand back, looking gorgeous. Stand back and watch it.
For me, the stamp that I impose on stuff comes from the fact that in the '80s, when I was starting to write movies, I looked back to the '70s. So the films I enjoyed as a kid were the thrillers that came out of the '70s. Back then, you didn't have action movies; you had adventure films or thrillers.
I had to fight tooth and nail to stay in an industry where I had a lot of problems. I've gone through a lot in my life and have somehow managed by my faith and some great people around me to continue on this journey where I'm at today.
We don't live in a jazz world, unfortunately. I think if I had lived in a jazz world, I would have done OK. I'm not sure I would have done great. I'm a lover of jazz music, so I would have been happy, don't get me wrong. I go to jazz concerts like the biggest jazz fan in world. The drag is that I don't play jazz for a living.
There are always decades that interest people. For me, that's the Roaring Twenties.
The biggest thing I will miss is 4 July when Everton are due back for pre-season training. I loved that day. I lived for it, getting back with the lads.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
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