A Quote by Hugh Hefner

I have very strong theories about magazine publishing. And I think that it is the most personal form of journalism. And I think that a magazine is an old friend. — © Hugh Hefner
I have very strong theories about magazine publishing. And I think that it is the most personal form of journalism. And I think that a magazine is an old friend.
I started, actually, in journalism when I was - well. I started at the 'New York Times' when I was 18 years old, actually, but really got into journalism when I was 15 years old and had started a sports magazine which was trying to become a national sports magazine.
The magazine business is dying. It's a hard time for publishing. It does seem that everyone is much more opinionated now. I think there's probably more room for making opinionated illustrations. There was a time when Time magazine and Newsweek would have a realistic painted cover. A friend of mine used to do a lot of those paintings and he was told by the art director at one point, we are switching to photography. It seems that if someone saw a painting on a cover, it took a while to do, it must be old news. Photography became more immediate.
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself.
The magazine was being started by a company that had no experience in business magazine publishing. It was a little difficult to get people to sort of buy into it and to join the staff, but we did.
I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.
Obviously, The Glamazon has been covered in every wrestling magazine known to man, including WWE Magazine, however, I've always wanted to do a fitness magazine.
I guess I showed certain signs of being a workaholic in early years; I had a magazine route very early on - I must have been about seven or eight years old or something like that - when I was carrying Liberty magazine, trying to win green and brown coupons; I eventually [won] a pony.
I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.
My very first venture was a national student magazine to try to campaign against the [Vietnam] War. And so I wanted to be an editor. I wanted to bring the magazine out. And in order for the magazine to survive I had to worry about the printing and the paper manufacturing and the distribution. And, you know, I had to try to, at the end of the year, have more money coming in than going out.
I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
I was a very young mod. The older mods at school used to like me because I brought in a copy of Mad magazine every week and let them read it. I think Mad magazine is the biggest influence in my life. At the age of ten, I decided I was going to have a band, one of the best in the country.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
I think that from the very beginning it wasn't simply, what made Playboy so popular was not simply the naked ladies, what made the magazine so popular was, there was a point of view in the magazine, that you couldn't run nude pictures without some kind of rational that they were art.
My favorite subject was English or creative writing. We did poems and making a magazine, and I did one on celebrities. I called it 'Celebrity Life Magazine.' I interviewed my good friend Kaley Cuoco.
People always say theres no such thing as bad publicity, and you always think theyre right, because it seems self-evident: nobodys going to buy a magazine that nobody ever talks about, so people should want to buy a magazine that everybodys talking about.
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