A Quote by Hugh Jackman
'One Night Only,' the words I'll be hearing from my agents when I tell them I'm coming back to Broadway.
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If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
'Housefull' was a mass entertainer. Kids loved that film and they asked me when I was coming back. I feel I can't tell them that I am coming back as Baba 3G in a sex comedy, 'Kya Super Kool Hai Hum.'
I'm gonna tell y'all what we tell the crowd every night when we play back in the States. We tell them to remember people sleeping in a sandstorm so that we can be free.
Estate agents. You can't live with them, you can't live with them. The first sign of these nasty purulent sores appeared round about 1894. With their jangling keys, nasty suits, revolting beards, moustaches and tinted spectacles, estate agents roam the land causing perturbation and despair. If you try and kill them, you're put in prison: if you try and talk to them, you vomit. There's only one thing worse than an estate agent but at least that can be safely lanced, drained and surgically dressed. Estate agents. Love them or loathe them, you'd be mad not to loathe them.
I wanted to go to San Antonio. I told them I was coming. I had to tell them that I was changing my mind and staying with the Nets. It was a day later when I had to tell them, but when I got back to Jersey, when I started thinking about the process, I felt a little more comfortable staying home.
I'd trusted my fan base, I'd trusted the my gut, and I'd trusted the music. ...the real experts are out there in front of you every night. They're the ones buying the tickets and coming to the shows. They're the professionals in this business, and they're the only ones who can tell you which songs have the ability to move them.
Just hearing somebody's voice in center field, it helps our guards out to know where they need to go, when the screen is coming, when the back door is coming, when the flare is coming. When different things like that happen and we're talking, it helps us all out in the long run.
I want you to go back into the barrack and tell the men to come out after the storm. Tell them to look up at me tied here. Tell them I’ll open my eyes and look back at them, and they’ll know hat I survived.
I remember hearing, back in the day, so-and-so got a deal, and bands are spending the money. Some of them live in the old days, where money is coming in and budgets are endless, but bands have to pay that back. Some bands just don't realize that.
When I was on Broadway, my most recent Broadway show was 'Spring Awakening,' and every night I did a topless scene.
It's probably my favorite part of my whole showbiz experience, is Broadway. The community of Broadway. That feeling that happens every night.
For we let our young men and women go out unarmed in a day when armor was never so necessary. By teaching them to read, we have left them at the mercy of the printed word. By the invention of the film and the radio, we have made certain that no aversion to reading shall secure them from the incessant battery of words, words, words. They do not know what the words mean; they do not know how to ward them off or blunt their edge or fling them back; they are prey to words in their emotions instead of being the masters of them in their intellects.
Live theater is my favorite of all the mediums that I have worked in, so I have every intention on coming back to Broadway.
So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.
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