A Quote by Hugh Jackman

People photograph everything and nothing - no interaction is deemed to have actually happened unless somebody has a picture of it. — © Hugh Jackman
People photograph everything and nothing - no interaction is deemed to have actually happened unless somebody has a picture of it.
A photograph has no value unless it looks exactly like a photograph and nothing else.
A photograph passes for incontrovertible proof that a given thing happened. The picture may distort; but there is always a presumption that something exists, or did exist, which is like what’s in the picture
I don't like to just talk about nothing, or less than nothing. If it's something interesting, I'm fine with it, but, 'Hey, Zack, how is your day?' People ask that, and somebody actually tells them what happened in their day? I don't have any real interest in that.
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
Yes, believers and non-believers and skeptics can all live together and get along. But there cannot be an imperialistic imposition of religion by the state or by the church. All people must be equal--believers, skeptics, disbelievers, atheists, and those who chose religion. Unless we are all deemed equal, and unless the morality of disbelief is deemed the equivalent of the morality of belief, we will simply be tolerated, and that is not the American way.
The first photograph I ever experienced consciously is a picture of my mother from before she gave birth to me. Unfortunately, it's a black-and-white photograph, which means that many of the details have been lost, turning into nothing but gray shapes.
I never take a picture of a face because a face is somebody, an arm is not recognizable as somebody. When you take a photograph of someone's face, it identifies it as somebody, but if you take just a fragment, it's everybody. It's not one person.
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
If you finish like a photograph, on the other hand, the picture has as much personality as a photograph.
A photograph is a photograph. When I am making a picture I am just interested in making a very interesting photograph. I don't care where it's going to go.
Perishability in a photograph is important in a picture. If a photograph looks perishable we say, "Gee, I'm glad I have that moment."
The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
Everything great that ever happened in this world happened first in somebody’s imagination.
Dialectical thought is related to vulgar thinking in the same way that a motion picture is related to a still photograph. The motion picture does not outlaw the still photograph but combines a series of them according to the laws of motion.
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