A Quote by Hugh Jackman
I've always felt embraced by the Broadway community even before I felt like I earned it.
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I've never felt limited by my circumstances, no matter what they were. Even when I was living in Iowa, it wasn't like I had big dreams, but it wasn't that I felt I couldn't have any. I always felt very capable.
I was embraced entirely and completely by the LGBTQ community. So I always felt very comfortable and confident to live exactly how I wanted to.
I always wanted to make a song like 'Why' even before my second album. It was just something I always had in my mind. But when I got the beat from Havoc, it was like the perfect beat, I felt... I wanted to get some questions I thought everybody... felt like 'why?' to.
I think that it gave me a really strong feeling of my life force and a confidence in myself. I felt like I was a man. Before that point for some reason, I always felt I was a boy (laughter). In fact, they called me the baby on the ship 'cause I was the youngest guy on the ship. But I always felt that way.
I'd worked for Aaron Spelling before [Embraced] and I always felt like we had a nice connection. I pretty much walked in and looked at him like, "This is mine!" And by the time I was done with the audition, he was already speaking to me as if I had the role.
When I was pregnant, I felt filled with life, and I felt really happy. I ate well, and I slept well. I felt much more useful than I'd ever felt before.
I always had this idea that, 'Sure, I wished I was a boy and felt more like a boy and all of that.' But I wasn't, so I would deal with it. And I for some reason thought there were other lesbians that felt that way and that was just part of that community.
Tommy had felt alone in a crowd before, even inferior to everyone in a crowd, but now he felt, well, different. It wasn't just the clothes and the make up, it was the humanity. He wasn't part of it. Heightened senses or not, he felt like he had his nose pressed against the window, looking in. The problem was, it was the window of a donut shop.
I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.
I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
Always felt like I did things right, always felt like I did things for the community and did everything well in New Orleans.
I've always felt a bit hard done by in England - you know, I've won the Bisto three times in Ireland, but it has felt like nobody has even heard of me in my home country.
Even when we were at that point when we had very few fans, we never felt like a small band. We always felt like we had a big purpose.
I too was frightened the first time I felt I hated my father. I felt like a criminal. But could I help it what was inside of me? I had to feel what I felt even if it killed me.
What it felt to me was like the dissolution of my idea of myself. I felt like separateness evaporated. I felt this tremendous sense of oneness. I'm quite an erratic thinker, quite an adrenalized person, but through meditation, I found this beautiful serenity and selfless connection. My tendency towards selfishness, I felt that kind of exposed as a superficial and pointless perspective to have. I felt very relaxed, a sense of oneness. I felt love.
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