A Quote by Hugh Jackman
I'm lucky to have worked in theater all over the world, but there's something magical about Broadway. The audiences are smart, they're educated. They go in ready and they're up for it, they're up for the party. It's a whole different atmosphere.
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If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I was lucky enough to play at Old Trafford, and we always talked about the atmosphere on a Tuesday night, the special atmosphere you create, and the crowd is rocking when you go out for a warm-up.
Everybody has done something about Marco Polo. It's the tiredest, most trite and worked-over subject in the world, and that was why it appealed to me, because I wanted to do something really new and different about something that had been worked over all these centuries, and I think I did.
I've been lucky enough to get a taste of the feature film world, the TV world and Broadway, as well, and see what everything is like. For me, it's very much about the character and how different it is from something I've done earlier.
I worked on minimum wage; I didn't go to college out of school. I worked multiple jobs, and it's probably not something Sen. Hagan's not had to worry about because we grew up in very different life circumstances.
Writing recently in the New York Times, David Brooks noted correctly if belatedly that conservatives disdain for liberal intellectuals had slipped into disdain for the educated class as a whole, and worried that the Republican Party was alienating educated voters. I couldn't care less about the future of the Republican Party, but I do care about the quality of political thinking and judgment in the country as a whole.
I never intended to go to Broadway. I was very happy being in an Off Broadway theater and having an Off Broadway life. What it did to me is try to fit a round peg - that's me - into a whole bunch of square buildings. I just didn't fit.
Theater in New York is nearer to the street. In London, you have to go deep into the building, usually, to reach the place where theater happens. On Broadway, only the fire doors separate you from the sidewalk, and you're lucky if the sound of a police car doesn't rip the envelope twice a night.
Broadway has a lot more razzle-dazzle than the West End. In terms of the everyday work routine, it's not different, but there's a cachet about Broadway that lends itself to more anticipation among audiences.
We [me and Jennifer Salke] talked about the characters and different kinds of families and where are we today. We certainly pitched the gay couple, but we also talked about what it was like to be a single mother with a young daughter, what is it like to be a woman in your 50's who is completely starting over and dating again and having to go online to date again. We talked about the whole spectrum of the characters, but I don't think it ever came up about whether people are ready for it or not.
There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
Every time I go to the theater, there's something about the atmosphere, seeing something unfold live in front of an audience, that you can't get out of your system.
I know about lots of things that have nothing to do with being Asian, that you would never guess from looking at me. I know all about musical theater. I could go on 'Jeopardy!' and knock off the whole Broadway show tunes category. Also the whole Bible stories category.
Growing up in Canada, none of my family were performers or anything like that, but I was terrible at hockey, so they needed something for me to do on Saturdays for me to get out of the house. I signed up for theater school on Saturdays, and I'd go for four-and-a-half hours every Saturday morning and learn about theater.
The last thing in the world I should have done was go into the theater because was inordinately shy as a young man. I couldnt open my mouth. At a party, I was the one stuck up against the wall. I was embarrassed about talking. I felt that I couldnt talk well.
You turn up in the morning, you get through hair and make-up, and then you are on set working until it's time to go home. And I love that. Coming from the theater, you just turn up and you're ready for whatever happens. That energy really appeals to me.
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