A Quote by Hugh Kingsmill

Behind the big names of twentieth-century literature there stands a shadow cabinet of writers waiting to take over once the Wind of Change has blown. My own vote goes to Hugh Kingsmill as leader of this opposition.
The twentieth century had produced a literature in Ireland that kept a tense distance from the sources of faith - and for good reason. Irish writing had suffered a terrible censorship in the twentieth century.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
They [Narnia] are, perhaps, the greatest classics of children’s literature of the twentieth century.
Twentieth-century American poetry has been one of the glories of modern literature.
The nineteenth century planted the words which the twentieth century ripened into the atrocities of Stalin and Hitler. There is hardly an atrocity committed in the twentieth century that was not foreshadowed or even advocated by some noble man of words in the nineteenth.
For Donald Trump, any opposition, either personal, ideological, or political is treason. Anyone who stands in his path betrays the Great Leader. Anyone who fails to take the knee is a traitor.
The demolishment of the power of organized Christianity in the Western world to finally realize the emancipation of women and give them the vote in 1920. Women couldn't even own property in their own names until the last quarter of the 19th century in America.
It's so graceful to be blown by the wind, to go where the wind takes you. Just drifting over beautiful rivers in a balloon is perfect.
A lot of people don't understand my reasoning behind wanting to fight big fights and big names. Knocking off these big names in fights really solidifies me as the best welterweight that's ever done it.
I've had very close relationships with some twentieth-century writers.
One of the major changes in attitude that occurred in the world of art as we moved from the nineteenth into the twentieth century was that the twentieth century artist became more involved with personal expression than with celebrating exclusively the values of the society or the church. Along with this change came a broader acceptance of the belief that the artist can invent a reality that is more meaningful than the one that is literally given to the eye. I subscribe enthusiastically to this.
The glamour of twentieth-century air travel helped to persuade once-fearful travelers to take to the skies and encouraged parochial Americans to go out and see the world.
When I die, I want to be remembered as a woman who lived in the twentieth century and who dared to be a catalyst of change. I don't want to be remembered as the first black woman who went to Congress. And I don't even want to be remembered as the first woman who happened to be black to make a bid for the Presidency I want to be remembered as a woman who fought for change in the twentieth century. That's what I want.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
Kingsley Amis was one of a trio of brilliant comic novelists who made English literature sparkle in the twentieth century.
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