A Quote by Hugh Laurie

Muddy Waters, I suppose, was my first great hero. You know, every boy wants to be a guitar player, and Muddy Waters was just the king. He was the King Bee. He was it. — © Hugh Laurie
Muddy Waters, I suppose, was my first great hero. You know, every boy wants to be a guitar player, and Muddy Waters was just the king. He was the King Bee. He was it.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time
I'm not trying to top the 'Muddy Waters' album. What I'm doing by naming it 'Muddy Waters 2' is to let you relive that '90s kind of sound and experience.
Muddy Waters was, like, the king! He had a lot of adopted sons and daughters. I was just happy to be one of them.
It made me sick - my name's Keith Richards. It hardly makes it against Howlin' Wolf or Muddy Waters, does it? On my first guitar I had Boy Blue written - just pathetic. But that was as good as I got at the time.
My favorite country blues player was Big Bill Broonzy. City blues was Freddie King, but I liked them all - Muddy Waters, John Lee Hooker, Ralph Willis, Lonnie Johnson, Brownie McGhee and the three Kings, B.B., Albert and Freddie. Jazz-wise, I listened to Django, Barney Kessel and Wes Montgomery.
The best slide guitar, unless you're playing the Muddy Waters-style, is the old '52 Goldtop Les Paul.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
My influences were the riff-based blues coming from Chicago in the Fifties - Muddy Waters, Howlin' Wolf and Billy Boy Arnold records.
I was staying with my sister and messing around with the guitar every day for my own amusement. Then she took me around and introduced me to Muddy Waters, Jimmy Rogers, Little Walter, and the first time I saw that onstage, it inspired me to play. I thought that was the world.
Little Walter and Muddy Waters were incredible. And Bo Diddley was doing some great stuff, too.
Obscure, like muddy waters.
I love Bach cello suites, I love punk music, I love old blues, negro spiritual quartets, Muddy Waters' 'You Need Love.' There is a simplicity but also a bite that connects all that music, from the growl in the cello to the timbre in Muddy's voice.
The hippo of recollection stirred in the muddy waters of the mind.
The whole 'Muddy Waters' title is not about things look or how deep it can get or it can be. It's just the slouchiness of the album.
The first band I identified with from Chicago was the Muddy Waters band.
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