A Quote by Hugh Leonard
I feel like the writer observing the grief, but it is difficult to be detached from it.
Related Quotes
Primo Levi's - I mean, he's a very different kind of writer. He's a much more formal writer. He's a much more -almost detached. I mean, I wouldn't really say that he's detached ultimately. But he does write as a scientist, and so he describes things very - in great detail, very carefully.
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
Grief causes you to leave yourself. You step outside your narrow little pelt. And you can’t feel grief unless you’ve had love before it - grief is the final outcome of love, because it’s love lost. […] It’s the cycle of love completed: to love, to lose, to feel grief, to leave, and then to love again. Grief is the awareness that you will have to be alone, and there is nothing beyond that because being alone is the ultimate final destiny of each individual living creature. That’s what death is, the great loneliness.
There are friendships to one who lives in society; thus our present grief arises from having friendships; observing the evils resulting from friendship, let one walk alone like a rhinoceros.
I sometimes feel like a British writer more so than I feel like an American writer. But I think that has to do with my subjective understanding of what it means to be either of those things.
There is a level of grief so deep that it stops resembling grief at all. The pain becomes so severe that the body can no longer feel it. The grief cauterizes itself, scars over, prevents inflated feeling. Such numbness is a kind of mercy.
It is difficult to call myself a writer, even when I stand at a podium to receive a prize, I feel uncomfortable calling myself a writer—I am merely a word criminal.
As a writer, it's a great narrative tool to have that character who is slightly detached but at the same time observant of his reality, because I think that's pretty much what being a writer is - being there, watching and internalizing.
You cannot die of grief, though it feels as if you can. A heart does not actually break, though sometimes your chest aches as if it is breaking. Grief dims with time. It is the way of things. There comes a day when you smile again, and you feel like a traitor. How dare I feel happy. How dare I be glad in a world where my father is no more. And then you cry fresh tears, because you do not miss him as much as you once did, and giving up your grief is another kind of death.
In the midst of observing the world and coming to consciousness, I was becoming a writer, and what I wanted to put on the page were the stories of people who looked like me.
The most difficult thing about living as a writer is precisely 'having to write.' Pretending to be a writer is easy. Living freely, reading many books, going on frequent trips, cultivating minor eccentricities... but genuinely being a writer is difficult, because you have to write something that will convince both yourself and readers.
Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.
I hate this idea that I've somehow become detached. It's like I can't win. I'd been hearing all these years that I was too hands-on: that I was the guy writing out the lineup card. Now, I'm not present enough. How is it possible to be a detached micromanager?
Anybody who dedicates himself to exploring the human condition, there's always a detached eye that's watching. In any situation, a little part of me is observing it, to see if there are any raw materials to create something else later.
The great advantage of being a writer is that you can spy on people. You're there, listening to every word, but part of you is observing. Everything is useful to a writer, you see - every scrap, even the longest and most boring of luncheon parties.
A writer has a difficult fate, but a Jewish writer has an especially difficult fate. His soul is torn; he lives on two streets with three languages. It is a misfortune to live on this sort of 'border,' and that is what I have experienced.
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