A Quote by Hugh Skinner
In theatre, I loved doing '2nd May 1997' at the Bush. Jack Thorne is a brilliant writer, and it was really exciting and felt new and different for me.
Related Quotes
I think Jack Thorne is an exceptional writer.
Tinashe doing 'I Wanna Get Better' - it's a really personal song, and it was hard for me to imagine anyone else doing it, but stylistically her and I are so incredibly different that I was fascinated to hear what she'd do with it, and I completely loved it. It just felt like the different expression of a song that, to me, was so stamped in one way.
The Romany culture is not really in the media that much and Jack Thorne wanted to portray that.
As I write each new Thorne novel, I'm determined that whatever is happening plot-wise, a new layer of the onion will be peeled away and reveal something about Thorne that is surprising to me as much as anyone else. If I can remain interested in the character, then hopefully the reader will stay interested, too.
I loved being in the film called 'Carnal Knowledge' - the one with Jack Nicholson, which was very dark but a really brilliant movie. I loved being in 'The Ritz.' 'The Ritz' I think is just hilarious. I just saw it again recently and by God, it's still funny!
The best thing my mum and dad did was to send me to the local youth theatre. I loved that; I felt I'd found the thing I really wanted to do.
I did try theatre out when I was little. I did roles as a child actress. My parents didn't push me into it. But I was up for it. I didn't enjoy doing eight shows a week, though. That repetitiveness didn't appeal to me. I love doing something different every day and travelling. You can't do that in the theatre.
Jack Thorne writes so well for messed-up teenage girls.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I think anyone who's not as good a writer as me is absolutely a hack, and I think anybody who's a slightly better writer than me is brilliant. So of course that makes me a horrible critic when it comes to books, because I can't distance my own experience from what I'm doing.
Theatre, for me, is about providing to the audience a new and exciting experience.
If I were doing somebody else's script or I adapted a book by Philip Roth, on set there could be a million different interpretations of the material and people could argue with me. Certainly on Synecdoche, New York we had discussions and arguments, but I felt like I had authority because I'm a writer.
I loved 'The Secret of NIMH.' When that came out, it felt like, 'Wow, this is something really, really new.' It looked like a Disney film, but it felt very cutting edge to me. To a twelve-year-old kid, it seemed very inspiring.
When I get hired as an actor as opposed to a writer, one of things that's exciting for me is doing stuff I wouldn't normally do myself. So whether it's a kid's movie or a voice in animation or in this case - where I just get to be silly, it's a different kind of comedy for me. As a performer, it's a different pleasure than when you're writing or directing. As a performer, you're just in the hands of the director and you go with whatever they want to do.
I started doing theatre, and that's when I really fell in love with the profession; I learned a lot. It felt a bit weird to go from living in New York on Broadway to university, so I kept putting it off. Then, eventually, I had to give up the place.
Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.
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