A Quote by Hugo Weaving

If a film isn't really talking about who we are and what our psychologies are, then we're probably not that interested in it, actually. — © Hugo Weaving
If a film isn't really talking about who we are and what our psychologies are, then we're probably not that interested in it, actually.
If Richard Wagner lived today, he would probably work with film instead of music. He already knew back then that the 'Great Art Form' would include a sort of fourth dimension; it was really film he was talking about.
We have two boys, and one of our kids is much more interested in history and stories, so if you want him to do some calculations about lenses, you would start talking to him about Galileo... Then he would be into the lenses, but if you just start talking to him about lenses, he might not stay with you.
I hate those TV shows where characters talk about one thing, such as their patient on the operation table (let's say they're a doctor), then you realize they're actually talking about actually talking about themselves. The patient's open-heart surgery is nothing compared to their own messed-up heart or whatever. It's selfish. And means they're not concentrating, which is medical negligence.
So there I was, wondering what sort of things women would look for in a video game. I sat in cafés and listened to what they were talking about: mostly it was fashion and boyfriends. Neither of those was really the stuff of a good video game. Then they started talking about food - about cakes and sweets and fruit - and it hit me: that food and eating would be the thing to concentrate on to get the girls interested.
I came to the conclusion is that we have a very shallow view of human nature in the policy world. We're really good at talking about material things, really bad at talking about emotions, really good at stuff we can count, really bad at the deeper stuff that actually drives behavior.
There are certainly days that we can convince ourselves in Washington that everybody's talking about one thing, and then I'll go home to my district and realize that everybody's actually talking about something different.
What's actually amazing is that, after a couple of years of living with characters and writing characters and talking about characters, as we sit in the writers room and break episodes, it strikes you, every once in awhile, that you're talking about a character that's played by the same actor, who you've been talking about forever. We talk about a character dying, so you get emotional, and then you realize, "Oh, but wait, that actor is still on the show."
If we're going to make progress on this issue [of contraception], we have to be really clear about what our agenda is. We're not talking about abortion. We're not talking about population control. What I'm talking about is giving women the power to save their lives, to save their children's lives and to give their families the best possible future.
Hillary Clinton is talking to all Americans. She's talking about jobs, she's talking about how to make this country stronger in terms of our national security. She's talking about opportunity for our young people.
I'm really nervous, because it's actually happening. You forget after a while when you start talking about something that it's actually going to happen.
Who directed the video 'No More Drama' for Mary J. Blige. I was actually kickin' with J. Lo talking about some music that we're gonna put together, and we were talking about great directors. She said she really, really liked that video and was wondering who directed it, so yeah, I looked it up!
I was always interested in the larger picture, I was pre-law in college, and had a degree in economics. I was very interested in the big question 'how then shall we live?,' how do we organize as a civilization when we are so different, and often don't get along, yet we know at some point we have to unite for the common good? I actually really care about those issues, and I'm driven to understand how it works.
This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval]. I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film. The poetic way of looking at it is which project is going to choose me as a director.
I don't know if it's because of the way we grew up - we just don't like talking about ourselves or talking about what we're doing... It's not really our approach.
You can see a lot of politics on a lot of different channels. I'm not interested, really, in talking in some wonky conversation about politics, though. It's not my speed. I'm not interested in the ins and outs of health care.
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
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