A Quote by Hugo Weaving
If the script grabs me and appeals to me, I'm really very keen to work on it.
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I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
Alaves were very keen on me and I was very keen for another adventure. It doesn't really faze me moving to another country.
I did undergo hypnotherapy, and it didn't work! The guy couldn't put me under. I was very disappointed. I was very keen to be suggested, to have somebody tell me to run naked or cluck like a chicken or whatever, but it didn't work for me, I'm afraid.
Finding one good script is a huge challenge. So I do a film whose script comes and grabs me. Once I finish that, I look forward to the next movie.
Generally, if a good script comes in I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character, it doesn't have to be a huge part. It could be a nice cameo - anything that I think is good and surrounded by good, enthusiastic people.
What happens to me when I read a script, when something grabs hold of me, I start getting these flashes of people or places or things or images.
It's funny, because what happens to me when I read a script, when something grabs hold of me, I start getting these flashes of people or places or things or images.
For me, the first thing is script. When I heard 'Mom''s script, it really touched me and moved me. I felt really nice about the story. That's the reason I did the movie.
I'm a sucker for a funny script. And then, as soon as I don't wanna be, one comes along and grabs me.
My wife's a really keen baker, and her mother is also a really keen baker, so they were giving me a little hand over the weekend, and giving me tips, things like that.
What I hope in my ideal world is that with each project, I'll either get to work with a really great script that would force me to grow, or work with a really great actor who will make me better.
What made me want to be on it was reading a really good script, and being compelled by and attracted to the characters. I really loved Maura Isles, who was very fascinating to me.
I was cast last minute for Casino Royale. They asked me to fly to Prague. I liked the script very much. I flew to Prague and did a bit of an audition. I was really focused and stressed out. And Daniel Craig was there. He was very, very blonde, like a Steve McQueen. He's moving a lot in real life. He's quite nervous. He was very lovely, very patient, and really connecting with me when we did the screen test.
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
WikiLeaks, for me, has not only that element in it of journalism publishing, but also the way in which it does it, with its - the concept we have of scientific journalism, I find very important and really appeals to me, that all of the source documents should be there.
I structure the scripts and work on them on films and work on scenes with writers and but I haven't written a script myself, I really respect what they do and I'm fortunate I get to work with people that I really enjoy working with and we all kind of spitball and work together on these things, but I haven't written a script yet.
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