A Quote by Huma Qureshi

I have had to give auditions for every film I had done until 'Dedh Ishqiya.' — © Huma Qureshi
I have had to give auditions for every film I had done until 'Dedh Ishqiya.'
I'm still in awe of Madhuri. I've grown up watching her movies, and to see her in a film like 'Dedh Ishqiya,' which is quite unlike her previous work, was wonderful.
I had four years of auditions, and nothing happened, until Francis Ford Coppola took a shot on me ['Tetro' in 2009]. I hadn't done a film, and suddenly I was the lead.
My mother often says that she could never have done it if I had been the youngest, if she had other small children she had to cart around New York City for my auditions and go-sees (modeling auditions) and stuff.
Every film I've made has a kind of frustrated love story in the center of it. They were people who saw life from opposing points of view, which has been in every film I've ever done. It had all the ingredients of the kinds of films I like to do.
Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, ‘No, I’m not interested.’ I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: ‘the book is so much better than the film.
If I had a bloody tattoo for every film I'd done, I'd be a walking billboard.
That [film What's My Line] was very useful to me because it had Branch Rickey in a social situation. Every other bit of film [42] that I had was him making a speech.
When I was 19, 20 I faced rejections. When I turned 20 I signed my south film and by the time I was 23, I had done three south films. I would go to different production houses everyday for auditions and they would reject me saying you cant talk, smile, dance or act.
I had already played a lead on Broadway before I ever did a film. I had had three, four seasons of stock with good, fat parts, good supporting and leading parts. And I had done, oh, God, over 400 live TV shows.
It's funny how film is the slowest art form to adapt to freedom. It's had freedom all along. It could've done whatever it wanted to. You know the same freedom that do-it-yourself punk and post-punk musicians had in the late 70s and ever since. That's about the time I started getting interested in film, and I assumed that film would be moving along with the other pop culture forms. Its finally done it but it's taken decades for it to catch up just to basement band level.
My very first role was the character of Barbara Winslow in the movie 'Marmaduke.' Up until that point, I had only done commercials. I had never done a guest star role or a series, and yet they cast me!
I'm a natural blonde. But when I started acting, I would go to auditions and they didn't know where to put me because I was voluptuous and had the accent, but I had blonde hair. It was ignorance: they thought every Latin person looks like Salma Hayek.
I'm a natural blonde. But when I started acting, I would go to auditions and they didn't know where to put me because I was voluptuous and had the accent - but I had blonde hair. It was ignorance: they thought every Latin person looks like Salma Hayek.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All the work I had done, it was all there, and I felt like I knew all the mechanics.
'The Quiet Ones' was my first film, let alone my first horror film, and I had so much fun. I had such a laugh, every single day. I look like such a feral child in it.
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