A Quote by Huma Qureshi

'Gangs Of Wasseypur' had two parts and 200 actors. I didn't think it would be that successful and go to international festivals. These things just happen. You should just do films that you like doing.
If I can still be successful making films and no-one will ever know me, then that would be great. Because we (actors) just like to do what we do. People who are doing it for fame, I don't know if they ever get really successful.
I love Huma Qureshi. She was amazing in 'Gangs Of Wasseypur.' I also love Richa Chaddha. She played a mother in 'Gangs Of Wasseypur.' And then I saw 'Fukrey' where she played a gangster, and I couldn't believe it was the same girl.
I have no complaints from my characters, be it in 'Commando' or 'Gangs of Wasseypur' everyone on those films was grey.
I remember, during an ad shoot, Anurag said to me that you are doing my film, and I was wondering do we really get films so easily. I thought you have to struggle and all. But he kept his word and offered me 'Gangs Of Wasseypur.'
I would not like to direct, I would be one of those terrible directors who can't help line reading the actors their lines, because I would just want to be doing their parts.
Huma has made her mark in the industry with films like 'Gangs of Wasseypur' and 'Luv Shuv Tey Chicken Khurana.' I am happy for what she has achieved today because we belong to a non-film background.
I try to take notes of things that happen that I think are important or interesting or just little tidbits here and there that happen in life. And some of it's even just one line or like a saying and I just go off that.
Oye Lucky!' released in November 2008 and in mid 2010, I was signed for 'Gangs of Wasseypur.' For me, the gap wasn't so much - just a year-and-a-half.
I think you end up writing things you like. I like seeing actors playing two different parts at the same time. I think it's interesting. It kind of shows you two sides of a person.
When I was making short films for the TV show 'Naalaya Iyakunar,' I wasn't just competing but making films that I could potentially show at international festivals.
I had horrible moment at the end of a very successful day, where I realized I just felt nothing about it and I didn't care. And I had that fear that I would, because I was successful at it, that I would be there 20, 30 years down the road, doing this job and just not caring about what I did.
When I made 'Hard Boiled,' I had no idea that it would be released to an international audience. I just wanted to make a film to team up my two favorite actors, Tony Leung and Chow Yun-Fat.
I would say I was not working in the real sense in 'Paiyaa.' After doing very heavy scenes in my first two films, in 'Paiya,' I was romancing a girl, talking all sorts of funny things, and doing all light things just as if I were not acting!
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.
People like to think that actors are terribly worried about ghosts of other actors in the parts they play. But you just have to get on with it.
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