A Quote by Huma Qureshi
I grew as an actress, and I feel I gained a lot, whenever I have worked with any great director in the past.
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Obviously I'd love to work with any of these great directors because every time I've worked with them I've gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
I grew up with a lot of exiles from Chile, Mexico, Argentina, Brazil, Peru, Colombia - I grew up with them, and I gained a family; I gained friends.
I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.
As an actress I knew I had to control my weight gain somehow as any director or producer would like to sign in a svelte actress.
A lot of my close friends are nothing to do with show business. But the people I've had relationships with, invariably, I've worked with. I think that's probably because I grew up in a family where we all worked together, so it's something I feel comfortable with.
I worked in an office. I was like an assistant. So, I would just answer phone calls, coordinate events. It was a great day job. I worked with amazing people, but obviously, whenever you are doing something that's not your dream, you kind of feel like, 'Oh, I'm on this grind.'
Definitely, 'True Detective' was a great example of one director, one story. It worked fantastically well. Well, I thought it worked fantastically well; I know a lot people didn't.
I had a lot of jobs when I was younger. Where I grew up, there was a lot of agricultural jobs, so I worked on a lot of farms. I worked in the pea fields, harvesting peas.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
I feel my time in baseball has come and gone. I feel like I had a great career. I had a lot of fun and have a lot of great memories. At one point in time, I'll be able to tell it all. Right now that's in the past. I see things differently. I more want to help.
When I was a young actress, I was called in just to do my part, and I didn't have any say or weight as far as any decisions go. But today, having worked as a producer and also having lived a little, I feel like I've found my voice more. I'm sure that it has influenced me as an actor and it will continue to do so.
I feel like I've had a really great intense relationship with every single Director I've ever worked with. I can't say there's one that hasn't been deep and profound in its own way.
I have hardly ever worked with the same director twice. But when you have worked with a director before, you understand his behavior.
I'm often asked, 'Who has you worked with who you really thought was great?' and I think Eleanor Parker was the first and one of the only who was a really accomplished actress, a really caring actress, who was most unselfish, and I was secretly in love with her.
I hope the next actress offered millions to play the 'fat girl for the day' stops to think about this before she signs the contract - even if just to ask, like any professional actress would in any other situation, 'Why does she weigh 350 pounds? And why me for the part?' If the director can't answer these questions, don't do the movie.
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