A Quote by Humphrey Bogart

An actor needs something to stabilize his personality, something to nail down what he really is, not what he is currently pretending to be. — © Humphrey Bogart
An actor needs something to stabilize his personality, something to nail down what he really is, not what he is currently pretending to be.
In preindustrial times, the idea of creating something was more related to your personality. Personality was something that you constructed; it's something you had to actively develop and work on. Now personality is something that you have.
There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
I just like a good, honest personality. I like a real person, not somebody who is pretending to be something that they're not. That really annoys me.
The sport needs a personality, not a fighter. We've got plenty of great fighters in the sport, but no personalities. No one is standing for anything. The last personality we had was Mike Tyson. He stood for something. It wasn't much, but he stood for something.
The more you love something, the worse you tend to audition. If you don't really care about something, you kind of nail it.
Man is concentric: you have to take fold after fold off of him before you get to the centre of his personality. You must get below his animal nature, habits, customs, affections, daily life, and sometimes go away down into the heart of the man, before you know what is really in him. But when you get into the last core of these concentric rings of personality you find a sense of the infinite-a consciousness of immortality linked to something higher and better.
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
This isn't a mob, won't need to change the names. Everyone around you has murdered someone, something sacred. There isn't one nail without dirt under it. There isn't any white cotton panties that aren't soaked and stained red. It's better to push something when it's slipping, than to risk being dragged down.
You want to have a song that people will listen to and go, 'Oh, yeah! That reminds me of something in my life,' or, 'something I'm currently going through,' or maybe something happens later and you hear the song and go, 'Wow! That really was telling a story that I can relate to now.' That's my hope.
You still slightly down that you're ever going to work again, every time you finish something. That's the territory of being an actor. It's like anything that's competitive. It takes a lot of determination. I just feel lucky to be able to do something that I really love.
A living is made, Mr Kemper, by selling something that everybody needs at least once a year.Yes, sir! And a million ismade by producing something that everybody needs every day.You artists produce something that nobody needs at any time.
As I say, there's something that scares the hell out of me but it really makes me work hard in losing myself. I'm not really interested in me as an actor or being a personality player, or a Hollywood star. What's given to me is to become different people and to find the truth of that. That is really what I do.
What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
I think that the photographer must completely control his picture and bring to it all his personality, and in this area most photographs never transcend being just snapshots. When a great photographer does infuse the snapshot with his personality and vision, it can be transformed into something truly moving and beautiful.
We're just at a point in regard to race relations, we're at a tipping point in America. It's a crucial time. It's sad, honestly, I think it's a place that deep down no one wants to be in. But it's something that needs to be addressed, it's something that needs to be fixed, and hopefully we can figure it out and take steps toward doing that.
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