A Quote by Humphrey Bogart

The only point in making money is, you can tell some big shot where to go. — © Humphrey Bogart
The only point in making money is, you can tell some big shot where to go.
There's nothing worse than an ostentatious shot. Or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something.
Money should never change one’s values…. Making money is only a report card. It’s a way to tell how you’re doing.
There's only 10 guys making big bucks in wrestling, and the rest of them they're making good money, but they're not blowing it away.
I'm the only one in America who belongs to the 'Cure Cancer' party, so if you give money to cancer, like Harry Reid and Max Baucus, some of these guys really helped us raise big money for cancer, I give them big money for their reelections.
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
I got some cash from agents. I've talked to the NCAA. I think that should be legal. I want some money, too; everybody else is making money. I want to go on dates. I want to go buy myself some new suits. I want to buy myself some new sneakers, and I paid the agents back.
The only thing I would tell my younger self is, 'Don't pay a lot of money for head shots.' There's always some dude in Brooklyn that's like, 'Dude, this is gonna get you the job.' And he convinces you you've got to pay $700. You don't! Your head shot doesn't matter!
I wish I could just relax sometimes and make some money, but I always feel like I have to prove some kind of big, profound point.
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
The major difference between the big shot and the little shot is the big shot is just a little shot who kept on shooting.
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.
I wasted a lot of my talent in the '90s because the money was so big, and I was making so much money, I didn't care to practise as much. That is my only regret.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
I am not interesting in making money. I go to the most expensive restaurant in Boston to have dinner. It is where billionaires come to eat. Even if I become richer, I will still have to go there to eat. After some time, money doesn't make a difference.
We all raise awareness and talk about making India a safe place for women, but at some point in time, I just feel that it is not creating a big impact. There needs to be some solution.
The key, I think, from a business point of view, is to learn how to be efficient in making a record that's not too expensive, so that you're not going crazy spending tons of money making a product that might not ever return that money.
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