A Quote by Hunter Hayes
I want people to say about me, 'I know he's making music because he loves it.'
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I like to make music because I've been making music since I was 7. I can get across the things that I want to say in my music so that I don't have to say anything. I don't have to speak out about the things I believe; I can say them in my music.
I want people to know that LeCrae the person is a Christian. Just because you put a tag on me or my music that doesn't make me or the music more or less of a Christian. I'd hope the legacy that I'd leave that people say... No, he's not a Christian because he said he was or because his stuff was labeled that. He's a Christian because he lived it! And when you know him and you know his life this is someone whose life is marked by Jesus.
Because, when I'm making music, I don't think about anything, you know? All I think about is what I want to hear. So that for me is what I want - I want my head to be constantly being rearranged.
I think maybe that as time goes by there will be more newness but because I was part of what it was before it's not like coming into a house and saying it's all about me. I don't feel like that. It really is all about McQueen and the things that he was trying to say and about moving that forward, making it relevant, making it desirable, making it into what people want to wear.
It's never been about what we want others to see: it's about what we want to see; it's about what we want to do. We only have a career because of our fans, but we have to keep making music for the reason we started making music.
It was the case in the 70s and 80s that people believed music could change the world. But now people aren't making music because they want to change the world; they're making music because they want to just make a ton of money.
I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.
I think it's so important that you want to be in the room with these people making music together, because that's what it's all about. Especially hip-hop music, because you have to be vibing.
There is nothing about me that I wouldn't want anyone to know, but there is a part of me that I do want to keep private and personal just because that is what's going to keep me sane in the long run - making sure people don't know my every move.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I want to be like Ben Folds. Everyone loves his music, but you could be sitting next to him on a plane and never know it." "I would much rather people know my music than know my name.
A successful day for me is when I teach people something. They become enlightened by an idea and learn how to think about it, so that later on when someone says, "Tell me about x, y, z," they don't have to say, "I know this because Tyson told me." No, they'll say, "Here's why it's true because I know and understand it."
I wouldn't say making psychedelic music is my focus. That's not the modus operandi for Tame Impala. It's about making music that moves people.
It's weird. People want you to know that they write. They want you to know they're a musician, rather than making music or making stories. It's the strangest thing.
What's holding me up is I'm confused about the nature of the music. Because the modern music doesn't reach me. I mean to say the sound of the modern electric production. A lot of sequencers... synths. That's what people are buying. Because that doesn't reach me, it throws me back to like 1948, but I don't want to be there. Back there, I'm talking about blues records... The roots of rock'n'roll is rhythm and blues and that's like really where I'm at, where I was always at.
I drop free music because I want people to know I'm still working. I want people to know I'm working and making my money independently. I don't want to charge for a mixtape; I'd rather charge for an album and really give something to my fans.
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