A Quote by Hunter S. Thompson

My first feeling was a wild desire to drive a stake in the sand and claim the place for myself. The beach was white as salt, and cut off from the world by a ring of steep hills that faced the sea. We were on the edge of a large bay and the water was that clear, turquoise color that you get with a white sand bottom. I had never seen such a place. I wanted to take off all my clothes and never wear them again.
I wanted to take off all my clothes and never wear them again.
We've never played at this place before. This place is big, and I'm kinda nervous, so we're going to make it feel small by pretending we're in a... bedroom. We'll hang off the edge of the bed, take off our shoes and get naked!
The sand swallows burst out of their scupper holes in the bluffs and out over the transparent drown of the water, back again to the white, to the brown, to the black, from moving to stock-still sand waves and water-worked woods and roots that hugged and twisted in the sun.
There are more stars known to exist right now than the total number of all the grains of sand on every beach in the entire world. With those kinds of odds, it would seem downright naive for someone to go to a beach in, say, some out-of-the-way inlet in Baffin Bay, stoop to pick up only one tiny grain of sand, and declare that that grain alone was the only place where life could exist.
I wear jewellery that I never take off. I have a ring and two necklaces. I always have them on and get scared when I have to take them off for photo shoots. The ring is my mum's mum's mum's, and she gave it to me for my 18th birthday. The necklace is the same one that my sister has. She's called Hannah, and the name is the chain.
The Shell The sea fills my ear with sand and with fear. You may wash out the sand, but never the sound of the ghost of the sea that is haunting me.
When in doubt, wear white. I think white is a very important color just spiritually, and I think when you're feeling that way white is a great color to wear.
That’s one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.
As soon as the seal was clear of the water, it reared up and its skin slipped down to the sand. What had been a seal was a white-skinned boy
That narrow stretch of sand knows nothing in the world better than it does the white waves that whip it , caress it , collapse on to it . The white foam knows nothing better than those sands which wait for it , rise to it and suck it in .but what do the waves know of the massed, hot, still sands of the desert just twenty , no , ten feet beyond the scalloped edge ? And what does the beach knows of depths, the cold, the currents just there, where-do you see it? - Where the water turns a deeper blue.
Across the narrow beach we flit, One little sand-piper and I; And fast I gather, bit by bit, The scattered drift-wood, bleached and dry, The wild waves reach their hands for it, The wild wind raves, the tide runs high, As up and down the beach we flit, One little sand-piper and I.
To a person who expects every desert to be barren sand dunes, the Sonoran must come as a surprise. Not only are there no dunes, there's no sand. At least not the sort of sand you find at the beach. The ground does have a sandy color to it, or gray, but your feet won't sink in. It's hard, as if it's been tamped. And pebbly. And glinting with -- what else -- mica.
The very first time I was on a car in Atlanta, I saw the conductor - all conductors are white - ask a Negro woman to get up and take a seat farther back in order to make a place for a white man. I have also seen white men requested to leave the Negro section of the car.
I had wanted to place the Eye-in-the-Sea at an oasis on the bottom of the ocean, in some site rich with life that was likely to be patrolled by large predators. The first time I got to test the camera at such a place was in 2004, in the north end of the Gulf of Mexico, at an amazing location called the brine pool.
I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
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