There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.
The key to winning, as always, was looking as if you had every right, nay, duty to be where you were. It helped if you could also suggest in every line of your body that no one else had any rights to be doing anything, anywhere, whatsoever.
Panic! at the Disco, for me, has been an outlet to do whatever. I never felt like there were any rules. It was always carte blanche. I could do whatever I wanted. There were no rules set yet for the band. It just felt right.
At the time there was a hospital strike in New York and the Catholic hospitals were part of a general consortium, and the head of the consortium had decided that they were finally going to replace some of the striking workers. And I hear [John] O'Connor yelling, `Over my dead body will you replace any of those workers! They have a right to strike.' So I figured, `This is interesting.'
I'm not focused on radio or whether I'm going to get all the audiences... all I wanted were great songs that were universal to any listener - Black, White, Green, Yellow; any kind a age difference.
At any Trump rally, the Trump supporters were peaceful. They were enthusiastic. They loved America. They were excited. They were pro Trump. They were not bullies. They were not angry. They were not doing anything unless they were provoked.
There is no right to strike against the public safety by anybody, anywhere, any time.
There was a phase in my career in my late 20s and 30s when I was doing strange, arty-farty Euro films that were, you could tell, never had much chance of any release anywhere in the world.
Well, I'd say that I'm mostly drawn to people who are genuine and willing to take a step to the unknown. So when I play with these people, usually there's this sense of that 'yes, we are doing it together right at this moment without any agenda' feeling which is so exciting! It means that there is this sense of trust, that whatever I throw in the music that's happening, they will make it work and send something to work with in my direction. Hopefully they feel the same about me.
For years my only purpose was to do documentary photos for magazines, without any idea that they were part of a larger project. It was as if I were carried along by a stream - even though I believed that the current was taking me in the right direction.
Death can come at any moment. You could die this afternoon; you could die tomorrow morning; you could die on your way to work; you could die in your sleep. Most of us try to avoid the sense that death can come at any time, but its timing is unknown to us. Can we live each day as if it were our last? Can we relate to one another as if there were no tomorrow?
If you could get all the people in the organization rowing in the same direction, you could dominate any industry, in any market, against any competition, at any time.
If you could get all the people in an organization rowing in the same direction, you could dominate any industry, in any market, against any competition, at any time.
My parents were very permissive when it came to animals. As long as we earned the money to buy them and built whatever structure it was they were going to live in, we could have any kind of pet we wanted. They would have let us have a rhinoceros if we could have afforded it.
The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
I think part of the reason Trump behaves the way he behaves is that he is a walking example of projection. Whatever he's doing and whatever he thinks is happening he will accuse somebody else of. And there are examples during the campaign when he did just that, like when he called publicly on Russia to hack my personal emails. He knew they were trying to do whatever they could to discredit me with emails, so there's obviously a trail there, but I don't know that in our system we have any means of doing that.
I've seen so many people on Instagram lose all of their followers because they were doing constant collaborations. They were only getting paid $100 dollars per post. That doesn't make any sense.