A Quote by Hunter S. Thompson

There is no way to understand the public reaction to the sight of a Freak smashing a coconut with a hammer on the hood of a white Cadillac in a Safeway parking lot unless you actually do it, and I tell you it's tense.
There is no possibility of relaxation if you have a mind and an ego; the ego is the center of the mind. You will be tense, you will remain tense. How to relax? Is there any way to relax? There is no way unless understanding is there. If you understand the nature of the world, the nature of the very existence, then who are you to worry, and why be in a worried state continuously?
When I pull my white Range Rover into disabled parking bays, the abuse that I get until I actually get out on my crutches is phenomenal, because people presume that you couldn't possibly be disabled and reverse a white Range Rover into that parking space.
A lot of stuff is dark in a way, but unless you're really looking at a situation for what it actually is, it's hard to be hopeful - or meaningless to be hopeful about it unless it's actually based in a real possibility.
The song 'If I Had a Hammer' is geared toward people who don't have a hammer. Maybe before I had a hammer I thought I'd hammer in the morning and hammer in the evening. But once you get a hammer, you find you don't really hammer as much as you thought you would.
Books are my friends, where it's okay to be silent, where you're not a freak if you don't want to get drunk, peel out in the parking lot, tip cows.
How can I tell if I was born hating coconut or developed a hatred of coconut because my father distrusted it as an ingredient?
There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot. To be the outsider is actually a great thing in England. I don't know - I'm not American. But I think the majority of American teenagers don't want to be the freak.
Being a control freak makes us tense, stressed out, and unpleasant to be with. Surrendered people understand that they can't always change a situation, especially when the door is shut. They don't try to force it open. Instead, they pay attention to their own behavior, look at the situation at hand, and find a new, different, and creative way to get beyond the obstacles.
I loved the hood and still love the hood but I had to realize like Ra you a rapper now you're in the public eye.
No matter what happens, a terror attack in London, a terror hammer attack at Notre Dame in Paris, whatever it is, if you want to understand the left's reaction to it, you need to be able to put yourself in their shoes and find a way to blame Trump for it and then to use the event to get rid of or discredit Trump, because that's what all of this is about.
'Tallica Parking Lot' is, basically, roughly about a four-minute animated short which is centered around the parking lot of Metallica, and that can be anywhere in the world.
A visit to the hood through a record, or through a video, or through a film, is a lot safer than actually visiting the people in real life. It became a business model. It became a revenue engine that, you know, you can get to the hood without ever going there.
In the White House, Obama was driven around in an armored Cadillac limo nicknamed 'The Beast.' In 'Hope Never Dies,' he blows his book deal advance on 'The Little Beast,' a black Cadillac Escalade upgraded with military-grade armor and shocks so good 'you can drive over a land mine and not spill your tea.'
I don't think you should always stay calm in a tense situation, because you might not ever confront the problem. Maybe it's better to actually let yourself be tense - and find a solution.
When I first came to L.A., I was plotting out my career choices as if I actually had a choice. Unless you're Brad Pitt, Johnny Depp, impossibly good-looking, or look like a freak, you have to be malleable and open to everything that comes your way because that's what makes it possible to pay your mortgage and eat.
I wish I could tell you about the South Pacific. The way it actually was. The endless ocean. The infinite specks of coral we called islands. Coconut palms nodding gracefully toward the ocean. Reefs upon which waves broke into spray, and inner lagoons, lovely beyond description. I wish I could tell you about the sweating jungle, the full moon rising behind the volcanoes, and the waiting. The waiting. The timeless, repetitive waiting.
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