A Quote by Hunter S. Thompson

I still feel needles in my back when I think about all the horrible disasters that would have befallen me if I had permanently moved to San Francisco and rented a big house, joined the company dole, become national-affairs editor for some upstart magazine?that was the plan around 1967. But that would have meant going to work on a regular basis, like nine to five, with an office?I had to pull out.
I had these glorified ideas about San Francisco and its drug culture - I thought inspiration would just hit me and I would get these San Francisco drugs in my system and all of a sudden an amazing record would come out. But that's not really what happened at all.
I brag like hell when I'm confident of what I'm doing. Back when I was sailing ships for a living, I would take a schooner up to San Francisco - I had my master's certificate at 22 - and I would tell myself, 'There isn't a man in the world can do this better 'n I can.' And I meant it.
I thought I would make it (to the NBA). I believed that I would make it. But I had a Plan B. I was going to get my Master's degree at Tulane University had it not worked out. I think the pressure of making it wasn't on me as great as some other players that had no other options. I was going to do something special in life and I wanted to play in the NBA. I had a backup plan but I went full speed ahead with my Plan A.
My very first venture was a national student magazine to try to campaign against the [Vietnam] War. And so I wanted to be an editor. I wanted to bring the magazine out. And in order for the magazine to survive I had to worry about the printing and the paper manufacturing and the distribution. And, you know, I had to try to, at the end of the year, have more money coming in than going out.
I would love to shoot in San Francisco permanently. It would be such a joy to come back home full circle.
When it came time to go to college, I had been accepted for Harvard when my father was offered the position of head of the Metropolitan Life Insurance Company office on the west coast, and we moved to San Francisco.
I was interested in creating things that I could be proud of and so, you know, I was interested in being an editor of a magazine, things that I could be proud of, and so, you know, I was interested in being an editor of a magazine, but in order to be an editor of a magazine I had to become a publisher as well. I had to pay the bills. I had to worry about the printing and the paper manufacturing and the distribution of that magazine.
I didn't grow up with [Buckminster Fuller]. I never met him. I was once close to meeting him as a child at a ski resort one summer. He died in 1983. Only in 1999 or so, 2000, when I was working as an editor at San Francisco Magazine, did I really come back around to that name because Stanford University had just acquired the archive.
Forty-five years ago, when I was 18, I came to San Francisco by boat and took two weeks to get here. I had a great impression. I think San Francisco is the welcoming gate for people from Asia.
I would go to an aunt's house, and she would let me play music, and she had 'The Last Poets' album. At that time, albums didn't have explicit stickers on them, so some of the songs had profanity on them, and I was moved by that. I would listen to those songs, to the flow, and I'd balance it back and forth with the nursery stuff I had.
My siblings and I were friends with the boys who would become our stepbrothers - we grew up on the same street. I feel very special to have these amazing people in my life and if we hadn't all moved into this big house together I think I would have missed out on that, because we would have drifted apart.
Back in the early '70s, when Susie and I were first married, we had a little house that we rented, and we used to have parties. People would come, and they wouldn't leave. I used to get so tired. I'd put on the Stanley Brothers, 'Songs for the Good People,' and the house would clear in five minutes. It was not liked; it was alien. It was weird.
My plan was to go to New York and do some theatre, and then I got the script for 'Psych.' I was like, 'Ahh - just as I thought I was out, you pulled me back in!' I had a great meeting with the show creator and we laid out the parameters to make the show work: what I would do, what he would let me do.
I think we should be clear: Companies will still need software that furthers their corporate goals and even gives them competitive advantage. That would be purchased and developed, if necessary, in house, or on a proprietary basis. But it needs to run on the company's computer system eventually, and its perfectly possible that system/network can be "rented out" from a utility.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
Some people you just had to embrace, in some way or another, had to bite into the muscle, to remain sane in their company. You needed to grab their hair and clutch it like a drowner so they would pull you into their midst. Otherwise they, walking casually down the street towards you, almost about to wave, would leap over a wall and be gone for months.
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