A Quote by Hunter S. Thompson
right' i said. 'but first, we need the car. and after that, the cocaine. and then the tape recorder, for special music, and some acapulco shirts.
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Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
There was no music at all during my childhood. The first time we heard music was when my eldest brother bought a tape recorder. Even then, only he was allowed to touch it. But in our house, we listened to legends such as Muhammad Rafi, Mehdi Hasan, Noor Jehan, Attaullah Khan Esakhelvi.
[MTV] just wanted a regular person that knew a decent amount about music.I'm so used to doing solitary interviews. You have some control - it's quiet, it's just you with your tape recorder and the person. Then when I was in front of the camera, I broke out in hives, which I continued to do well after I got the job.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
I never drove a car. I'm hopeless that way. I press the wrong buttons on the tape recorder. But if the person I'm interviewing helps me out, that person feels needed. People need to feel needed.
... And we talk it out. Lately, I've had Roy Thomas come in, and he sits and makes notes while we discuss it. Then he types them up, which gives us a written synopsis. Originally - I have a little tape recorder - I had tried taping it, but then I found no one on staff has time to listen to the tape again later. But this way he makes notes, types it quickly, I get a carbon, the artist gets a carbon ... so we don't have to worry that we'll forget what we've said.
Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
It is just like your tape-recorder. It records, it reproduces - all by itself. You only listen. Similarly, I watch all that happens, including my talking to you. It is not me who talks, the words appear in my mind and then I hear them said.
You know what, the jacket’s like the car.” "“Is this a riddle?” " , "“No,” Peabody said as Eve swiped the master.","“It’s an", "ordinary thing—well, special, but a jacket, right? And the car, it’s ordinary, it even looks it. But both of them have the special inside. Cop special especially, you know? He so gets you. That’s even better than a just-because present.”", "“You’re right. He does. And it is.” Inside, Eve paused another moment. “He’s worried about me.”", [J.D. Robb, Celebrity In Death]
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
When I was doing interviews at the FBI, my tape recorder battery died. They gave me a new one, and I said, 'Of course, this is bugged?'
Many of my characters first came through to me as voices. That's why I use a tape recorder.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
When the audience first sees Cooper talking into his tape recorder at the beginning of 'Twin Peaks,' I think that's the greatest introduction to a character I've seen in my career. It tells you everything about the guy right there in a few minutes as well as bringing up a whole load of questions.
I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.
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