A Quote by Hunter S. Thompson

Politics is the art of controlling your environment. — © Hunter S. Thompson
Politics is the art of controlling your environment.
I do not think good art comes from comfort. While from a humanistic standpoint I would have much rather been at my home that I own, surrounded by friends and family and controlling my environment completely.
You cannot escape the results of your thoughts. Whatever your present environment may be, you will fall, remain or rise with your thoughts, your vision, your ideal. You will become as small as your controlling desire; as great as your dominant aspiration.
?Using his burgeoning intelligence, this most successful of all mammals has exploited the environment to produce food for an ever increasing population. Instead of controlling the environment for the benefit of the population, perhaps it's time we controlled the population to allow the survival of the environment.
In every work environment, there will be politics. If you really want to rise to the top, you need to figure out what those politics in your workplace are. Then, you hook it in. You decide what conforms and what does not conform to your personal code.
Instead of controlling the environment for the benefit of the population, perhaps we should control the population to ensure the survival of our environment
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
Juggling is sometimes called the art of controlling patterns, controlling patterns in time and space.
Art goes beyond politics. Even if there are writers who are involved in politics, eventually, in one or two centuries, it's not their politics which is going to count, but the fact of having given life to feelings, of having created characters and made a living work of art.
Politics is a part of life and art is about life. It doesn't mean that all the art has to be about politics - in fact, heaven forbid. But politics is a totally legitimate area of focus for any art, whether it's painting or songwriting or anything else, as much as sex is, as much as spirituality is, as much as any other behavior of people is.
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
Politics is politics; art is art. If you play a political role, you have to stop being an artist.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
You are a product of your environment. So choose the environment that will best develop you toward your objective. Analyze your life in terms of its environment. Are the things around you helping you toward success - or are they holding you back?
There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.
As a composer, I believe that music has the power to inspire a renewal of human consciousness, culture, and politics. And yet I refuse to make political art. More often than not political art fails as politics, and all too often it fails as art. To reach its fullest power, to be most moving and most fully useful to us, art must be itself.
Just when you think you've got your kids figured out, they change on you. For somebody who's controlling, you can't control it. Of course, I don't think I'm controlling, but that's what I've been told!
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