A Quote by Hunter S. Thompson

Nixon represents that dark, venal and incurably violent side of the American character almost every other country in the world has learned to fear and despise. — © Hunter S. Thompson
Nixon represents that dark, venal and incurably violent side of the American character almost every other country in the world has learned to fear and despise.
States are violent institutions. The government of any country, including ours, represents some sort of domestic power structure, and it's usually violent. States are violent to the extent that they're powerful, that's roughly accurate.
But [the Arabs'] friendship was venal, their faith inconstant, their enmity capricious: it was an easier task to excite than to disarm these roving barbarians; and, in the familiar intercourse of war, they learned to see, and to despise, the splendid weakness both of Rome and of Persia.
I'd almost prefer [Richard] Nixon. I'd say [Bill] Clinton is every bit as corrupt as Nixon, but a lot smoother.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
We have nothing to fear but fear itself," Otto replied. "Oh, and a megalomaniacal headmaster, the world's deadliets assassin, giant mutated plant monsters, an international cartel of supervillains, and the security forces of every country on earth, but other than that...just fear.
I think Nixon says a lot about those times. It was possibly hard, in the '90s and early 2000s to understand the grip of fear that communism had on the country in the 1950s and 1960s - a fear Nixon rode like a endless great wave on the Pacific to high office. I'm sure, though there's no evidence of it, one of the things that rankled him down deep was that it was called McCarthyism and not Nixonism.
Never to despise in myself what I have been taught to despise. Nor to despise the other. Not to despise the it. To make this relation with the it: to know that I am it.
We all have a dark side, and we have to confront our dark side. That's pop American psychology.
The realization of our soul has its moral and its spiritual side. The moral side represents training of unselfishness, control of desire; the spiritual side represents sympathy and love. They should be taken together and never separated. The cultivation of the merely moral side of our nature leads us to the dark region of narrowness and hardness of heart, to the intolerant arrogance of goodness; and the cultivation of the merely spiritual side of our nature leads us to a still darker region of revelry in intemperance of imagination.
Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
Every country has a dark side of their history.
Everybody knows someone like that: wonderful, attractive people full of passion and ideals. You envy them, but you know there's a dark side, which is brutal and cruel and violent. That dark side informs what's wonderful about them, and the passion and rage inform the darkness; they're inseparable.
I'm just made differently. Man, I just love being an American, I love my country. But it happened to me during the Nixon time, especially pre-Watergate, that as I watched Nixon for the first time in my life I felt shame. I had to analyze myself. What is this emotion? I realized that my government was separate from my country. It was the first time I ever felt ashamed of the government, not the country.
Art is violent. To be decisive is violent. ... To place a chair at a partial angle on the stage destroys every other possible choice, every other option.
The spread of yoga is the symbol of a changing world. It represents a world where knowledge flows, without restriction of country, creed or class. It represents a world where people come together across boundaries, for causes and concerns that unite the planet.
Sides are being divided now. It's very obvious. So if you're on the other side of the fence, you're suddenly anti-American. It's breeding fear of being on the wrong side.
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