A Quote by Hunter Tylo
I told him that I can play it if he wanted to write it, and I would be willing to try and go there emotionally. I did not know as an actress if I would be able to get there, because when you feel really deep emotions or pain, you don't want to go back there.
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I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I don't know. Try it." And I would try it and it would be awful, and he would go, "What do you think?" And I would go, "It was awful." And he goes, "Okay, we'll try something else." And that's great because it really makes you feel less working-for and more working-with. There's nothing better than to feel a part of the team.
I've said that I would play anything to do with 'Star Wars.' But really, deep down, I would love to come back as Darth Maul - that's what I want to do. I would go crazy, go mental, lock myself in a cabin, you know. Do the whole 'method' for two or three months, spear-fishing and stuff, just to play the character again.
But what I didnt want to have happen, and I made this clear to Jeremy (Florida AD), if I am able to go coach, I want to coach at one place, the University of Florida. It would be a travesty, it would be ridiculous to all of a sudden come back and get the feeling back, get the health back, feel good again and then all of a sudden go throw some other colors on my shirt and go coach? I dont want to do that. I have too much love for this University and these players and for what weve built.
I rememeber one time we were getting ready to go to South America and everything was packed up and in the car ready to go and I hid and I was crying because I really did not want to go, I wanted to play. I did not want to go.
Maybe in the back of my mind I was kind of wishing that I would become a rock star, kind of wishing that I would reach enough people who would be willing to pay me for the music, that I would actually be able to live off of just writing the songs that I wanted to write. But I don't think I really admitted to myself that that was my goal.
I loved him in that moment, loved him more than I'd ever loved anyone, and I wanted to to tell them all that I was the snake in the grass, the monster in the lake. I wasn't worthy of this sacrifice; I was a liar, a cheat, a thief. And I would have told, except that a part of me was glad. Glad that this would all be over with soon. Baba would dismiss them, there would be some pain, but life would move on. I wanted that, to move on, to forget, to start with a clean slate. I wanted to be able to breathe again.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
Every country I would go to, even if it was just on a modeling job, I would go to their markets. If I went to Morocco for 'Elle' magazine, I would be in the spice markets during my off time and just come back with a suitcase full of stuff that I really wanted to try.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
I loved him. I hated him. I wanted to kiss him. I wanted to strangle him. I was a walking, talking contradiction. There were days I was so torn by my conflicting emotions that I thought I would be ripped in half. Staring at my best friend and secret object of my undying love, I wondered if I would ever get off this crazy train of emotions swirling around inside me. I didn't like feeling this way. But the truth was I couldn't remember a time I didn't feel this aching need to completely immerse myself in all things Daniel Lowe.
You have to go really dark and deep with yourself and get your hands dirty and go into territories that you don't want to go into and feel things that you don't want to feel, but that's what ultimately pushes out the good and gives you some kind of a message that you can take and channel into something better. That energy's really powerful.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
I would stay away from him and leave him to go his own road where there would be other women, countless other women, who would probably give him as much physical pleasure as he had had with me. I wouldn’t care, or at least I told myself that I wouldn’t care, because none of them would ever own him—own any larger piece of him than I now did.
What do you really want to know? Am I sorry for what I did? There's not a day goes by I don't feel regret. Not because I'm in here, but because you think I should be. I look back on the way I was. A young, stupid kid that committed that terrible crime. I want to talk to him. I want to try to talk some sense to him. Tell him the way things are. But I can't. That kid's long gone, and this old man is all that's left.
Sometimes I would get invited to a party or to go out to dinner by one of them and I would decline. Part of me wanted to go, but those kind of outings always made me feel even more alienated than usual. Hearing them talk made me feel lonely and hateful at the same time. Lonely because I didn't fit in, never did. When I was reminded, it hurt. And hateful because it reaffirmed what I already knew, that I was alone and on the outside.
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