A Quote by Huston Smith

If Rumi is the most-read poet in America today, Coleman Barks is in good part responsible. His ear for the truly divine madness in Rumi’s poetry is really remarkable.
The great Sufi poet and philosopher Rumi once advised his students to write down the three things they most wanted in life. If any item on the list clashes with any other item, Rumi warned, you are destined for unhappiness.
I like poetry, but honestly, I like dramatic literature more. If I had to pick between Rumi and Dostoevsky, I would pick Dostoevsky without even thinking about it. Ninety-nine out of 100 Iranians would probably pick Rumi. Kiarostami, too, would probably pick Rumi first. I try to have the meaning be in the action of the story, not in the symbolism. I want it to be in the action, and it's dramatic action that creates the meaning.
I read Rumi, the 13th-century Persian poet, every day.
The great Sufi poet and philosopher Rumi once advised his students to write down the three things they most wanted in life. If any item on the list clashes with any other item, Rumi warned, you are destined for unhappiness. Better to live a life of single-pointed focus, he taught. But what about the benefits of living harmoniously among extremes? What if you could somehow create an expansive enough life that you could synchronize seemingly incongruous opposites into a worldview that excludes nothing?
Rumi is perhaps the greatest mystical poet who ever lived, one of the greatest poets of the Persian language. He was able to express practically all aspects of the spiritual life and our existential situation in the world today as human beings in beautiful Persian poetry.
Sylvia Plath, Rumi, there's a lot of spoken word poets who do a really incredible job putting their spoken work into page poetry - that's what I strive to do.
Rumi is astounding, fertile, abundant, almost more an excitable library of poetry than a person.
.. every single corner and aspect of our lives, every single choice, will be different if we take the invitation of this [Rumi's] poetry to act from the Divine Center of Silence and allow the glory of the Presence to soak our every movement.
My ultimate goal is to spend as many of my moments in life as I can in that world that the poet Rumi talks about, 'a place beyond rightness and wrongness.
The ecstatic beauty and soulful grace of Rumi's poetry inspires human hearts to believe in possibilities beyond the predictably fatal.
I've been practicing Ayurvedic medicine, and I've read the 'Bhagavad Gita' and Rumi, and these are very important.
With 'The Forty Rules of Love,' I wanted to write a love story. But I wanted a love story with a spiritual dimension. For me, that took me to Rumi. And from Rumi, I went to Shams of Tabriz. That's how the story took shape.
My father was an innovator. He's the first person who sang and set Rumi's poetry into music 35 years, 40 years ago.
You can't read to yourself. It's your inner ear that hears a poem. If you hear a poet read his own work, it becomes very exciting. The melody is a great part of it.
Jalaluddin Rumi is completely rooted in Islamic teachings of Quran. He was a great scholar, he belonged to a madrassa, and he knew Islamic theology and jurisprudence very well. He knew Persian, Arabic and Turkish, which was coming into Anatolia at that time, very well. He was a remarkable, remarkable scholar, besides being a great saint.
He who without the Muse's madness in his soul comes knocking at the door of poesy and thinks that art will make him anything fit to be called a poet, finds that the poetry which he indites in his sober senses is beaten hollow by the poetry of madmen.
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