A Quote by Hwang Jung-eum

I'd be happy to do a project of any genre as long as the audience can enjoy the story because of my performance. — © Hwang Jung-eum
I'd be happy to do a project of any genre as long as the audience can enjoy the story because of my performance.
I did not fix any genre for 'AK.' We just write a story and audience will put it in a genre as they perceive it.
Be it any industry, what matters to me is the story as that is what the audience are primarily in a theatre for - to enjoy a good story.
My focus is on giving my best and I have to enjoy my performance as then only audience will enjoy.
Good writing is good writing. In many ways, it’s the audience and their expectations that define a genre. A reader of literary fiction expects the writing to illuminate the human condition, some aspect of our world and our role in it. A reader of genre fiction likes that, too, as long as it doesn’t get in the way of the story.
There are no requirements when you're using a particular genre. It's not like the genre is your boss and you have to do what it says. You can make use of the genre any way you want to, as long as you can make it work.
My films typically veer towards the darker side, and I enjoy turning things on the audience. I really enjoy working in genre because people come into the film with certain expectations, and they know the tropes so well that when you turn on those, it can be really shocking. There's a complaisance that comes with watching those films.
I wouldn't do a project if it weren't a story I wanted to tell. That's rewarding in itself, as a writer, if you're working on a story that you enjoy telling.
It doesn't matter which genre you're working in, you try to find an honest relationship within that space, and say if it's the romance genre, within that you have to find a story and characters that resonate with an audience.
I enjoy turning things on the audience. I really like working in genre because people come into the films with certain expectations. They know the tropes so well that, when you turn on those, it can be shocking because there's a complacency that comes with watching those films.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
I was planning to make 'Hate Story 2,' but I stepped out of that project. I don't want to repeat the genre.
I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.
I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
Any genre as it's called, I think can be quite reductive in terms of what a film is, because I think there is an eagerness to put in any film, in anybody's work, to give it a genre title and I think as a consequence of that, the film starts to obey the rules of the genre.
D Major is not a one-genre band. I think we have always managed to captivate the audience with our performance. We are three Indian girls with international upbringing and a little foreign flavor.
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