A Quote by Hyun Bin

Many people worked hard in order to create 'Crash Landing on You.' I am grateful to the writer, the directors, and all the production staff. — © Hyun Bin
Many people worked hard in order to create 'Crash Landing on You.' I am grateful to the writer, the directors, and all the production staff.
The BBC sports department when I was there was seriously to the right of Ghengis Khan, and if people think I am strange, they should have met some of the production staff I worked with. Margaret Thatcher and the Queen were the pin up girls for many of them.
The BBC sports department when I was there was seriously to the right of Ghengis Khan and if people think I am strange they should have met some of the production staff I worked with. Margaret Thatcher and the Queen were the pin up girls for many of them.
I had many, many mentors that I worked with. Music teachers, choir directors, directors in summer stock or in regional theater. You know, people I was able to work with repeatedly and learn from who were really sort of appropriate people for me to work with at a given time in my development as an actor.
I'm a writer. That's who I am, at my core. I'm a writer, and then I learned production and administration, along the way. I feel like most people can learn it because production and the administration part is all about logic, and it's all about learning rules and budgets.
There are certainly better writers and directors than me, but I have worked very hard to earn credibility within the business as a quality writer and a good director.
You were always told that if you worked hard, you would get somewhere. But so many people feel they have worked hard and they have nothing to show for it.
I really am grateful to have so many people watch, and to be given the chance to create my next projects. I want to once again tackle the boundless possibilities of animated movies, and I hope to be able to create something that will leave both children and adults thinking that this world is a sparkling, brightly shining place.
I have no absolute right to my wealth; it comes from my ancestors, my parents and from the billions of people who have worked before me to learn, to develop, to create the foundations and wealth of this planet. It is my turn to contribute to the progress of humanity. I will be grateful for anything I am paid in return.
I love being directed, and I feel so grateful to be able to get to work with some of the directors I've worked with.
I don't deny that I had a very privileged upbringing, but my parents and that town maintained a sense of normalcy that I think many people find hard to achieve, and I am so grateful for that.
What happens when you're in a crash is you join a crash club, and you talk endlessly about your crash because you don't want to bore your friends with it. And they've heard about the crash so many times.
I am grateful that I'm working, but I also have to say I've worked really, really hard and had to fight a lot.
I once was poor myself. I worked to get where I am today and I've worked hard to spend $100,000 a year on my clothes and I've worked hard to earn $3 million a year. I deserve what I get because I worked for it.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I worked for 20 directors as a production designer, most male. I was on the set to witness firsthand a range of sometimes atrocious emotions - well-documented firings, yellings, fights between directors and actors, hookers, abusive things, budget overages, lack of preparation. A man gets a standing ovation for crying because he's so sensitive, but a woman is shamed.
I am very grateful that I am in touch with so many different church groups. I am always very moved by the fact that so many people - practically over the spectrum of the Christian world - are responding to my writing.
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