A Quote by Hyuna

'Trouble Maker' was a project that worked whenever a song that fit the concept came in. — © Hyuna
'Trouble Maker' was a project that worked whenever a song that fit the concept came in.
Obviously, when I came to do the movie I knew that I was going to have to take my clothes off so I might have worked a little bit harder to keep myself fit. But I think that's the irony of it - you see all these fit and healthy people, and I'm not making any comments on it, but everybody deep down is a f**k up somewhere.
Would the world ever have been made if its maker had been afraid of making trouble?Making life means making trouble. There’s only one way of escaping trouble; and that’s killing things.
I was once trying to find a song to fit Nicki Minaj's 'Hey Mama.' But nothing worked out. Sometimes, you can't help it.
To found a great empire for the sole purpose of raising up a people of customers, may at first sight appear a project fit only for a nation of shopkeepers. It is, however, a project altogether unfit for a nation of shopkeepers; but extremely fit for a nation whose government is influenced by shopkeepers.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Whenever you do an animated project or a voice-over project it's inevitable that part of your personality comes into play.
I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.
Fox came to us with the concept for ICE AGE and they came to us with the first draft of the script. They also gave us a mandate to make it into a comedy from what was previously a rather dramatic action concept.
If we're going to acquire, what are we going to do differently? We came up with six rules of thumb. Whenever I've violated two of them, I usually get into trouble.
Pesticides came about after the first world war. Some brainy petrochemical money maker said, 'Hey, that mustard gas worked great on people, maybe we could dilute it down and spray it on our crops to deal with pests.'
Even at the time, I realised this couldn't be right, that this interpretation didn't fit with the rest of the lyrics. But that wasn't an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.
I've always been jealous of rappers, because they can fit so many words into a song and tell a story with lots of details. But when you're a songwriter, you have to fit the words to the melody and you can't fit as much in. I'm just a big fan of storytelling.
Sometimes, I repeat myself, and that was a second elimination [of Barack Obama]. I worked with a team, including a great editor who, as the project came together, suggested other additions and eliminations. It was a process.
If you know the history of the whole concept of whiteness if you know the history of the whole concept of the white race, where it came from and for what reason you know that it was a trick, and it's worked brilliantly. You see, prior to the mid to late 1600s, in the colonies of what would become the United States, there was no such thing as the white race. Those of us of European descent did not refer to ourselves by that term really ever before then.
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