A Quote by Hyuna

I wasn't sure if I wanted to try the retro style in the first place, because many musicians have left masterpieces in the genre, and I felt burdened by this. — © Hyuna
I wasn't sure if I wanted to try the retro style in the first place, because many musicians have left masterpieces in the genre, and I felt burdened by this.
I spent the first part of my career trying to avoid genre because I felt like genre, in some way, was cliche.
If I'm in the studio, I'm completely on music. I try to go to that place and that's the toughest thing for me to do. When I'm with other musicians, sometimes I go back to, almost like, childhood, because that's what I always wanted to be.
Sometimes it seems the harder you try to hold onto something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you because you think that your feelings were wrong and it makes you feel so small because it’s so hard to keep it inside when you let it out and it doesn’t come back. You’re left so alone that you can’t explain.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
That's why I created Smart Girl Club in the first place because I really wanted to combat the non-inclusion that I felt in a lot of places.
I don't have a specific style. My style is unorthodox; that is my style. So you can't really place me here, place me there, because my style is just to be anywhere, you know what I'm saying?
Sizing was also important to me; I wanted to make sure that nobody felt alienated or felt like they weren't thought about in the process of this brand. I wanted to make sure that everyone felt included, which brings us to the gender neutral pieces - the idea of wearing what you want and whatever makes you feel comfortable and confident. I think that's the overall feeling of the Daya collection.
I felt calm when I was called first runner-up because I felt it was fate. But when they announced that I was Miss Universe, I had mixed emotions. I was happy because I really wanted to win but felt sad for Miss Colombia.
First and foremost, with everybody we wanted to see if they can pull off the songs, play them correctly, and that they it felt right musically. That's something Mike [Mangini] did, it felt like the band. He really gets the style and delivers in a powerful metal way.
Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
In the history of photography, we have many masterpieces in terms of black and white books. You have Bresson's 'Decisive Moment,' Frank's 'The Americans'... many masterpieces. But there is nothing to this caliber in color. Well, I think I'll waltz with my muse and hope that I might be able to produce something on this order in color.
A lot of times, jazz musicians try to educate people. What other genre does that?
I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with.
I'm sure you've felt this way along the way: Yes, I got to do what I wanted to do. But it was much harder than I thought it was going to be, and it continues to be. You never get to a place that is a place of rest. I think that's OK. It's not bad - life is hard work!
My style icons are Lucille Ball for her bouffant hair and all the updos, James Dean for his rockabilly style - the denim and rolled-up T-shirt thing. And I am also inspired by Dita Von Teese and Gwen Stefani. Their style is retro, but it's still very feminine at the same time.
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