A Quote by I. M. Pei
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
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I love art. My sister is an artist and my mother is a painter, so it is very much in the family. I haven't ever wanted to be a fine artist myself - my sister robbed me of my artistic talent, I think.
The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.
The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
My mother encouraged me to be artistic. It was written in a contract at an early age that I would be an artist.
I think I was born an artist. But the key is that I have a mom that encouraged and supported my artistic side. She still has the stick-figure drawings framed.
What is an artistic picture? An artistic picture is very simple. The creator is not the producer. The creator is not the star. The creator is the director, the person who realizes the picture, like a poet, like an artist. The creator of the picture is free to do whatever he wants, how he wants to do it. That is an artistic picture.
I think the narcissism comes from the industry side of things. The artistic side of a person is never narcissist; it's always empathic, it's always kind and compassionate. It can be difficult to hold onto artistic principles when the business is so glaringly about the product. It's sad.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
My mother teaches high school English, and she's an artist and a poet and a sculptor, she's published twelve poetry books. I grew up in a household in Venezuela with living, breathing art installations that were the way that she used to express herself, a highly creative environment where ideas were celebrated, where artistic expression was celebrated. Seeing her as somebody who was always able to have a creative output - if she felt sad, she wrote a poem, if she felt happy, she made a sculpture - I think for me, there was an early interest in finding outlets for my passions.
I always had some kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
My mother recognized my artistic talent and looked for someone to teach me to grow my abilities. She found an artist on the street who sent his daughter, Umba, over to begin teaching me when I was only three years of age.
I went to school for engineering, I studied jazz. So I always had this kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
I know there's a creative side to artists to - pardon me - there's a creative side to scientists already, but there may be an artistic side, too, waiting to break free.
Ultimately, the artistic part of architecture has always interested me.
'Rather You Than Me' just speaks for my natural instinct to survive, but it's also me being a writer, me being a poet - there's also a beautiful side to 'Rather You Than Me.'
When I am asked what I believe in, I say that I believe in architecture. Architecture is the mother of the arts. I like to believe that architecture connects the present with the past and the tangible with the intangible.
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